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GIDDY UP, COWGIRL

Yee Haw! Put on your cowboy boots and hats, buckaroos, and stand back because Cowgirl is gonna help Momma run some errands—cowgirls love to help. Cowgirl helps Momma find her checkbook at the bank; mail letters (most fall on the ground); carry in the dry cleaning (leaving a trail of clothes behind her); holds the grocery list which blows away but remembers everything on the list (jellybeans, marshmallows, ice cream); but then drops the grocery bag of eggs. Good thing for Cowgirl that she has an especially understanding and loving mom. Krosoczka’s exaggerated and comical illustrations have lassoed Cowgirl’s enthusiasm, her Momma’s exasperation and their affectionate bond. From page one, this charmer will tickle and delight kids, big and little, especially those who’ve ever played out a similar fantasy. Ride ’em, cowgirls! (Picture book. 3-5)

Pub Date: Feb. 1, 2006

ISBN: 0-670-06050-X

Page Count: 40

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 2006

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PRINCESSES WEAR PANTS

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This book wants to be feminist.

Princess Penelope Pineapple, illustrated as a white girl with dark hair and eyes, is the Amelia Bloomer of the Pineapple Kingdom. She has dresses, but she prefers to wear pants as she engages in myriad activities ranging from yoga to gardening, from piloting a plane to hosting a science fair. When it’s time for the Pineapple Ball, she imagines wearing a sparkly pants outfit, but she worries about Grand Lady Busyboots’ disapproval: “ ‘Pants have no place on a lady!’ she’d say. / ‘That’s how it has been, and that’s how it shall stay.’ ” In a moment of seeming dissonance between the text and art, Penny seems to resolve to wear pants, but then she shows up to the ball in a gown. This apparent contradiction is resolved when the family cat, Miss Fussywiggles, falls from the castle into the moat and Princess Penelope saves her—after stripping off her gown to reveal pink, flowered swimming trunks and a matching top. Impressed, Grand Lady Busyboots resolves that princesses can henceforth wear whatever they wish. While seeing a princess as savior rather than damsel in distress may still seem novel, it seems a stretch to cast pants-wearing as a broadly contested contemporary American feminist issue. Guthrie and Oppenheim’s unimaginative, singsong rhyme is matched in subtlety by Byrne’s bright illustrations.

Skip it . (Picture book. 3-5)

Pub Date: Sept. 12, 2017

ISBN: 978-1-4197-2603-3

Page Count: 32

Publisher: Abrams

Review Posted Online: July 1, 2017

Kirkus Reviews Issue: July 15, 2017

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I SEE, YOU SAW

Karlin (The Fat Cat Sat on the Mat, 1996, etc.) echoes Dick, Jane, and Sally—``I see the can. I can kick the can''—but the resemblance is fleeting, for the wordplay in this I-Can-Read entry is clever and bright. Young readers will be amused at the flurry of homonyms—``I can see a fly fly'' among them. There are excursions into past and present, and pokes at pronouns and the and a. Anchoring the book, which is narrated by two kittens, is the word ``seesaw.'' Karlin breaks it up, twists it around, and generally makes merry with the word's many possibilities. ``Look, a saw,'' says one kitten. ``I can see the saw,'' replies the other. ``I can saw the seesaw.'' But a frog gets the last lick: ``And I saw you saw the seesaw''—a grammatically slick tongue-twister. Simple watercolor illustrations crisply depict the meaning of the words, cutting through the ambiguity, and leaving readers with nothing but the purest pleasure. (Picture book. 3-5)

Pub Date: May 11, 1997

ISBN: 0-06-026677-5

Page Count: 24

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1997

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