by Jarvis ; illustrated by Chris Judge ‧ RELEASE DATE: June 9, 2026
Sibling rivalry and braggadocio bolster this droll competition.
One-upmanship—with an emphasis on the “up”!
To the average viewer, twin giraffes Rafi and Rita are identical. They will be quick to correct you on that point, however, since Rafi is the tall one. Or is it Rita? Wild boasts begin with factual accuracy (Rafi says the animals below him “look like bugs”; Rita points out, “They are bugs”), then swiftly veer into extraordinary territory. While Rita explains that “I’m so tall that three people have tried to climb me and had to be rescued halfway up,” Rafi counters with, “I wear clouds as hats. That’s how tall I am. Clouds.” After Rita talks about how “traumatizing” it was to almost be hit by a shooting star, their battle of the brags is interrupted from above. Mama’s there to both put them to bed and to assure them that they are her “teeny-tiny littlest lovelies.” It’s all about perspective. Adult readers should be prepared for the many vertical flips the book physically requires, as the young giraffes’ exaggerations warrant the tallest read possible. Judge’s art relies on thick black lines and bright bold colors. The giraffes may never solve the question of who the tallest is, but readers will enjoy every step of the debate.
Sibling rivalry and braggadocio bolster this droll competition. (Picture book. 3-5)Pub Date: June 9, 2026
ISBN: 9781536251685
Page Count: 32
Publisher: Candlewick
Review Posted Online: Feb. 16, 2026
Kirkus Reviews Issue: March 15, 2026
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by Greg Pizzoli ; illustrated by Greg Pizzoli ‧ RELEASE DATE: April 19, 2016
A funny tale about stress and an ever upping ante, with a comforting end.
Something is preventing Owl from falling asleep.
Owl leans back against his white pillow and headboard. “Squeek!” says something underneath the bed. Owl’s never heard that sound before, so he fastens his pink bathrobe and answers the front door. Nobody. It must be the wind; back to bed. Bidding himself goodnight, he climbs into bed—and hears the noise again. Time after time, he pops out of bed seeking the squeaker. Is it in the cupboard? He empties the shelves. Under the floor? He pulls up his floorboards. As Owl’s actions ratchet up—he destroys the roof and smashes the walls, all in search of the squeak—so does his anxiety. Not until he hunkers down in bed under the night sky (his bed is now outdoors, because the house’s roof and walls are gone), frantically clutching his pillow, does he see what readers have seen all along: a small, gray mouse. In simple illustrations with black outlines, textured coloring, and foreshortened perspective, Pizzoli plays mischievously with mouse placement. Sometimes the mouse is behind Owl or just out of his sightline; other times, the mouse is on a solid, orange-colored page across the spread from Owl, which removes him from Owl’s scene in a rather postmodern manner. Is the mouse toying with Owl? Who knows?
A funny tale about stress and an ever upping ante, with a comforting end. (Picture book. 3-5)Pub Date: April 19, 2016
ISBN: 978-1-4847-1275-7
Page Count: 48
Publisher: Disney-Hyperion
Review Posted Online: Jan. 19, 2016
Kirkus Reviews Issue: Feb. 1, 2016
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by Stephanie Stansbie ; illustrated by Richard Smythe ‧ RELEASE DATE: Dec. 3, 2019
Sweet.
A caregiving bear shares with its cub how love has defined their relationship from the first moment and through the years as the cub has grown.
With rhymes and a steady rhythm that are less singsong-y than similar books, Stansbie seems to have hit a sweet spot for this offering on the I-love-you-always shelf. Readers follow the adult and child as they share special moments together—a sunset, a splash in a pond, climbing a tree, a snuggle—and the adult tells the child that the love it feels has only grown. Stansbie also takes care not to put promises in the adult bear’s mouth that can’t be delivered, acknowledging that physical proximity is not always possible: “Wherever you are, / even when we’re apart… // I’ll love you forever / with all of my heart.” The large trim size helps the sweet illustrations shine; their emphasis is on the close relationship between parent and child. Shaped peekaboo windows offer glimpses of preceding and succeeding pages, images and text carefully placed to work whatever the context. While the die cuts on the interior pages will not hold up to rough handling, they do add whimsy and delight to the book as a whole: “And now that you’re bigger, / you make my heart sing. / My / beautiful / wonderful / magical / thing.” Those last three adjectives are positioned in leaf-shaped cutouts, the turn of the page revealing the roly-poly cub in a pile of leaves, three formed by the die-cuts. Opposite, three vignettes show the cub appreciating the “beautiful,” the “wonderful,” and the “magical.”
Sweet. (Picture book. 3-5)Pub Date: Dec. 3, 2019
ISBN: 978-1-68412-910-2
Page Count: 32
Publisher: Silver Dolphin
Review Posted Online: Oct. 12, 2019
Kirkus Reviews Issue: Nov. 1, 2019
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