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THE BEAR WHO WANTED TO DANCE

A classic ballet story infused with themes of body positivity and the importance of seeing oneself reflected in art.

A bear hopes to become prima ballerina.

Rita has always loved ballet. The young bear joins the intimidating Monsieur le Fox’s ballet class and meets a new friend, Wanda; they spend their days dreaming about a life in dance. When Monsieur le Fox announces his plan to host auditions for the class’s prima ballerina spot, Rita and Wanda practice dancing and read ballet magazines to prepare. Looking at the ballerinas in the magazines, as well as those in the posters on the walls, Rita comes to a realization: “These ballerinas don’t look anything like me!” Indeed, they are all lithe creatures like weasels, foxes, frogs, and rabbits. The simple story’s resolution relies on Wanda and Monsieur le Fox encouraging Rita rather than Rita independently coming to embrace “my beautiful, big-bear body.” For this reason, caregivers and educators may consider pairing this tale with Vashti Harrison’s Big (2023), which shares similar themes but features the protagonist as her own savior. The full-color illustrations are soft and inviting, with the bulk of the story taking place in a cozy forest rife with mushrooms, coniferous trees, and logs on which the ballerinas practice balancing. The endpapers show Rita in a variety of ballet poses, perhaps encouraging future dancers to begin their practice.

A classic ballet story infused with themes of body positivity and the importance of seeing oneself reflected in art. (Picture book. 3-7)

Pub Date: Oct. 7, 2025

ISBN: 9781664300767

Page Count: 32

Publisher: Tiger Tales

Review Posted Online: Sept. 13, 2025

Kirkus Reviews Issue: Oct. 15, 2025

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CREEPY CARROTS!

Serve this superbly designed title to all who relish slightly scary stories.

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Kids know vegetables can be scary, but rarely are edible roots out to get someone. In this whimsical mock-horror tale, carrots nearly frighten the whiskers off Jasper Rabbit, an interloper at Crackenhopper Field.

Jasper loves carrots, especially those “free for the taking.” He pulls some in the morning, yanks out a few in the afternoon, and comes again at night to rip out more. Reynolds builds delicious suspense with succinct language that allows understatements to be fully exploited in Brown’s hilarious illustrations. The cartoon pictures, executed in pencil and then digitally colored, are in various shades of gray and serve as a perfectly gloomy backdrop for the vegetables’ eerie orange on each page. “Jasper couldn’t get enough carrots … / … until they started following him.” The plot intensifies as Jasper not only begins to hear the veggies nearby, but also begins to see them everywhere. Initially, young readers will wonder if this is all a product of Jasper’s imagination. Was it a few snarling carrots or just some bathing items peeking out from behind the shower curtain? The ending truly satisfies both readers and the book’s characters alike. And a lesson on greed goes down like honey instead of a forkful of spinach.

Serve this superbly designed title to all who relish slightly scary stories. (Picture book. 4-7)

Pub Date: Aug. 21, 2012

ISBN: 978-1-4424-0297-3

Page Count: 40

Publisher: Simon & Schuster

Review Posted Online: May 1, 2012

Kirkus Reviews Issue: Aug. 1, 2012

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THE WILD ROBOT ON THE ISLAND

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.

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What happens when a robot washes up alone on an island?

“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)

Pub Date: June 24, 2025

ISBN: 9780316669467

Page Count: 48

Publisher: Little, Brown

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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