An eye-opening account that disturbs with its depiction of the place of women in Iranian society, but warms the heart in its...
Richly detailed memoir by a daughter who, as an adult, learned of her Iranian mother’s secret past: arranged marriage at 13, a baby at 14 and divorce while still a teenager.
After Darznik (English/Washington and Lee Univ.) found a photograph of her mother Lili as a child bride, Lili recorded for her a series of tapes about her family and her life in Iran. Lili’s story begins with her grandmother, whose daughter Kobra is Lili’s mother and a continuing and forceful presence in her life. Darznik’s memoir is not a transcription of audio tapes, however, but an expansion of them into an engaging account of life in Iran in the 20th century, full of memorable characters whose lives take unexpected turns. The author’s portrayal of Iranian society and male-female relations are revealing, and her descriptions of clothing, food and drink are especially engrossing. To escape from her marriage to a sadistic husband, Lili was forced to leave her baby with him. Eventually, she moved to Germany, trained as a midwife and acquired a European husband. Returning to Iran, Lili thrived in her new career, but her husband drank too much and failed in business. Threatened by the Iranian Revolution in the late ’70s, the family fled to the United States when the author was five, settling in California along with hundreds of thousands of other Iranian émigrés. Since divorce was considered as shameful as prostitution, Lili kept her past a secret. While Lili remained Iranian to the core, retaining the values of her native culture, the author grew up as an American, failing to become “The Good Daughter”—the modest, obedient girl with perfect manners that her mother held up as a model. It was only when she learned of her mother’s past and of the existence of her older half sister in Iran that she understood that “The Good Daughter” was a real person, not just a figure in a cautionary tale.
An eye-opening account that disturbs with its depiction of the place of women in Iranian society, but warms the heart in its portrayal of their gritty endurance.Pub Date: Jan. 27, 2011
ISBN: 978-0-446-53497-0
Page Count: 336
Publisher: Grand Central Publishing
Review Posted Online: Sept. 27, 2010
Kirkus Reviews Issue: Nov. 15, 2010
BOOK REVIEW
BOOK REVIEW
These subtle, reflective observations offer delightful insights into the lighthouse mystique.
A writer muses on what lighthouses mean to her.
Barrera, a Mexican journalist and editor and co-founder of the Mexico City–based publisher Ediciones Antilope, confesses early on that she’s a collector. “Collecting is a form of escapism,” she writes. After visiting Yaquina Head Lighthouse on the Oregon coast, she wanted “to articulate my feelings about that panorama—the moment and the lighthouse.” There was “something in the lighthouse itself that intrigued me.” Following that trip, she visited a few others and conducted research into their histories and the stories surrounding them: “It was like falling in love; I wanted to know the lighthouse to its very core.” Each story includes a wide array of topics in lighthouse culture, including literature, history, science, art, music, and the daily, brutal lives of the isolated keepers and their families. “From afar, a lighthouse is a ghost, or rather a myth, a symbol,” writes the author. “At close quarters, it is a beautiful building.” Barrera gives close attention to Robert Louis Stevenson’s family: his father, Thomas, instrumental in developing the revolutionary lens that replaced kerosene lamps, and his grandfather, Robert, the first to “construct a lighthouse on a marine rock, far from the coast.” The author is also intrigued that Edgar Allan Poe’s last, unfinished story was about a lighthouse keeper. Barrera chronicles her visit to the Ghoury Lighthouse, built in 1823 after a boat shipwrecked off the Normandy coast, and she comments on the many lighthouses in Edward Hopper’s paintings; he “said that the lighthouse is a solitary individual who stoically confronts the onrush of industrial society.” The author bemoans the fact that GPS and computers may one day make them obsolete. After reading Yukio Mishima’s The Decay of the Angel, about an orphaned boy who works in a signal station, Barrera stopped writing. “There are collections that will always be incomplete, and sometimes it’s better not to continue them.”
These subtle, reflective observations offer delightful insights into the lighthouse mystique.Pub Date: May 12, 2020
ISBN: 978-1-949641-01-1
Page Count: 174
Publisher: Two Lines Press
Review Posted Online: Jan. 15, 2020
Kirkus Reviews Issue: Feb. 15, 2020
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
The Hemingway name will carry this beyond what the usual casual interest in reminiscences of hunting in Africa would ordinarily achieve. It contains some of the best writing Ernest Hemingway has done — and is a delightful human document, natural, humorous, graphic in the swift characterizations and the original sidelights on his companions. Game hunting in Africa — with a double urge, to get, first and last, a Kudu — and to beat Karl. Sell both as travel and sport — as well as good Heminway. Appearing in Scribners Magazine.
Pub Date: Oct. 1, 1935
ISBN: 0684801299
Page Count: 308
Publisher: Scribner
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Oct. 1, 1935
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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