These subtle, reflective observations offer delightful insights into the lighthouse mystique.
A writer muses on what lighthouses mean to her.
Barrera, a Mexican journalist and editor and co-founder of the Mexico City–based publisher Ediciones Antilope, confesses early on that she’s a collector. “Collecting is a form of escapism,” she writes. After visiting Yaquina Head Lighthouse on the Oregon coast, she wanted “to articulate my feelings about that panorama—the moment and the lighthouse.” There was “something in the lighthouse itself that intrigued me.” Following that trip, she visited a few others and conducted research into their histories and the stories surrounding them: “It was like falling in love; I wanted to know the lighthouse to its very core.” Each story includes a wide array of topics in lighthouse culture, including literature, history, science, art, music, and the daily, brutal lives of the isolated keepers and their families. “From afar, a lighthouse is a ghost, or rather a myth, a symbol,” writes the author. “At close quarters, it is a beautiful building.” Barrera gives close attention to Robert Louis Stevenson’s family: his father, Thomas, instrumental in developing the revolutionary lens that replaced kerosene lamps, and his grandfather, Robert, the first to “construct a lighthouse on a marine rock, far from the coast.” The author is also intrigued that Edgar Allan Poe’s last, unfinished story was about a lighthouse keeper. Barrera chronicles her visit to the Ghoury Lighthouse, built in 1823 after a boat shipwrecked off the Normandy coast, and she comments on the many lighthouses in Edward Hopper’s paintings; he “said that the lighthouse is a solitary individual who stoically confronts the onrush of industrial society.” The author bemoans the fact that GPS and computers may one day make them obsolete. After reading Yukio Mishima’s The Decay of the Angel, about an orphaned boy who works in a signal station, Barrera stopped writing. “There are collections that will always be incomplete, and sometimes it’s better not to continue them.”
These subtle, reflective observations offer delightful insights into the lighthouse mystique.Pub Date: May 12, 2020
ISBN: 978-1-949641-01-1
Page Count: 174
Publisher: Two Lines Press
Review Posted Online: Jan. 15, 2020
Kirkus Reviews Issue: Feb. 15, 2020
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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