An ambitious debut defying easy categorization.
A young American diplomat comes face to face with the turmoil of Afghan society and the anguish of its people in this debut novel by a half-Afghan, half-Swedish writer.
While driving from Kabul to Herat with his wife, Rebecca, sometime in the late 1970s, Daniel Abdullah Sajadi hits and kills a little girl named Telaya. Daniel—whose mother is American and late father was an Afghan War hero—is the new director of a U.S. foreign aid agency, charged with fostering food production and wiping out the poppy fields that fuel the country’s dangerous drug trade. Local guide Taj Maleki comes to his aid, taking him to the police to report the accident and to tribal leaders and Telaya’s parents, to whom he makes payments. At length Daniel realizes that Taj is not a simple jobber but an opium khan. After a contentious discussion, Daniel, infuriated by Taj’s argument that opium keeps many Afghans out of poverty, kicks him out of his car. Over the next several months, guilt, recriminations, and persistent nightmares about Telaya plague Daniel. Taj stays in touch by means of oblique threats. Then Taj crashes a dinner party with Daniel’s mentor and other influencers in attendance and charms some of the guests. What begins as a thriller evolves into a detailed history of the region’s traumas and a less-successful emotional and personal odyssey. As the country descends into war, Daniel’s safety becomes a major concern. Peppered throughout the tale are a series of short, haunting fables, presented as children’s stories but disclosing the brutal reality of Afghan life.
An ambitious debut defying easy categorization.Pub Date: Dec. 1, 2020
ISBN: 978-1-641-29158-3
Page Count: 384
Publisher: Soho Crime
Review Posted Online: Sept. 15, 2020
Kirkus Reviews Issue: Oct. 1, 2020
A weird, wild ride.
Celebrity scandal and a haunted lake drive the narrative in this bestselling author’s latest serving of subtly ironic suspense.
Sager’s debut, Final Girls (2017), was fun and beautifully crafted. His most recent novels—Home Before Dark (2020) and Survive the Night (2021) —have been fun and a bit rickety. His new novel fits that mold. Narrator Casey Fletcher grew up watching her mother dazzle audiences, and then she became an actor herself. While she never achieves the “America’s sweetheart” status her mother enjoyed, Casey makes a career out of bit parts in movies and on TV and meatier parts onstage. Then the death of her husband sends her into an alcoholic spiral that ends with her getting fired from a Broadway play. When paparazzi document her substance abuse, her mother exiles her to the family retreat in Vermont. Casey has a dry, droll perspective that persists until circumstances overwhelm her, and if you’re getting a Carrie Fisher vibe from Casey Fletcher, that is almost certainly not an accident. Once in Vermont, she passes the time drinking bourbon and watching the former supermodel and the tech mogul who live across the lake through a pair of binoculars. Casey befriends Katherine Royce after rescuing her when she almost drowns and soon concludes that all is not well in Katherine and Tom’s marriage. Then Katherine disappears….It would be unfair to say too much about what happens next, but creepy coincidences start piling up, and eventually, Casey has to face the possibility that maybe some of the eerie legends about Lake Greene might have some truth to them. Sager certainly delivers a lot of twists, and he ventures into what is, for him, new territory. Are there some things that don’t quite add up at the end? Maybe, but asking that question does nothing but spoil a highly entertaining read.
A weird, wild ride.Pub Date: June 21, 2022
ISBN: 978-0-593-18319-9
Page Count: 368
Publisher: Dutton
Review Posted Online: March 29, 2022
Kirkus Reviews Issue: April 15, 2022
Loyal King stans may disagree, but this is a snooze.
A much-beloved author gives a favorite recurring character her own novel.
Holly Gibney made her first appearance in print with a small role in Mr. Mercedes (2014). She played a larger role in The Outsider (2018). And she was the central character in If It Bleeds, a novella in the 2020 collection of the same name. King has said that the character “stole his heart.” Readers adore her, too. One way to look at this book is as several hundred pages of fan service. King offers a lot of callbacks to these earlier works that are undoubtedly a treat for his most loyal devotees. That these easter eggs are meaningless and even befuddling to new readers might make sense in terms of costs and benefits. King isn’t exactly an author desperate to grow his audience; pleasing the people who keep him at the top of the bestseller lists is probably a smart strategy, and this writer achieved the kind of status that whatever he writes is going to be published. Having said all that, it’s possible that even his hardcore fans might find this story a bit slow. There are also issues in terms of style. Much of the language King uses and the cultural references he drops feel a bit creaky. The word slacks occurs with distracting frequency. King uses the phrase keeping it on the down-low in a way that suggests he probably doesn’t understand how this phrase is currently used—and has been used for quite a while. But the biggest problem is that this narrative is framed as a mystery without delivering the pleasures of a mystery. The reader knows who the bad guys are from the start. This can be an effective storytelling device, but in this case, waiting for the private investigator heroine to get to where the reader is at the beginning of the story feels interminable.
Loyal King stans may disagree, but this is a snooze.Pub Date: Sept. 5, 2023
ISBN: 9781668016138
Page Count: 464
Publisher: Scribner
Review Posted Online: July 13, 2023
Kirkus Reviews Issue: Aug. 1, 2023
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