With a global view and his eyes cast skyward, Barr provides an enjoyable, expansive study of a subject he loves.
An examination of “how the trajectories of globalization and urbanization, and our evolving tastes and needs, have created the world’s skylines.”
Whether you love them or loathe them, it is hard to deny that skyscrapers define the look and feel of modern cities. Barr, a professor of economics who has been studying skyscrapers for many years, has a great affection for them. In this follow-up to Building the Skyline, the author looks at both the history and the current landscape, emphasizing the link between the buildings and the social environment in which they exist. In the 20th century, skyscrapers were largely an American phenomenon, with the Empire State Building being the embodiment of the idea for decades after it opened in 1931. Others would follow in the postwar era, reflecting the confidence of the time. Architects love them as a chance to strut their creative stuff, but the property developers always have an eye on profitability. Skyscrapers, in fact, generally turn out to be good investments. In the 21st century, the focus of the business has moved to Asia, home to 9 of the 10 tallest buildings in the world. Five are in mainland China, but there are also some remarkable examples in Hong Kong, Taiwan, and Malaysia. The trend is to mix corporate offices with residential, retail, and recreational space. The prize for the most ambitious effort probably goes to the Burj Khalifa in Dubai, “the current world’s tallest building.” Construction at this level involves huge technical problems, but innovative designs and new building methods are pointing toward the next generation. “The engineering know-how to create a one-mile structure…is here,” Barr writes, continuing, “[I]f history is any guide, the journey will remain ever upward.”
With a global view and his eyes cast skyward, Barr provides an enjoyable, expansive study of a subject he loves.Pub Date: May 14, 2024
ISBN: 9781982174217
Page Count: 384
Publisher: Scribner
Review Posted Online: Feb. 24, 2024
Kirkus Reviews Issue: April 1, 2024
An important dialogue at a fraught time, emphasizing mutual candor, curiosity, and respect.
Two bestselling authors engage in an enlightening back-and-forth about Jewishness and antisemitism.
Acho, author of Uncomfortable Conversations With a Black Man, and Tishby, author of Israel: A Simple Guide to the Most Misunderstood Country on Earth, discuss many of the searing issues for Jews today, delving into whether Jewishness is a religion, culture, ethnicity, or community—or all of the above. As Tishby points out, unlike in Christianity, one can be comfortably atheist and still be considered a Jew. She defines Judaism as a “big tent” religion with four main elements: religion, peoplehood, nationhood, and the idea of tikkun olam (“repairing the world through our actions”). She addresses candidly the hurtful stereotypes about Jews (that they are rich and powerful) that Acho grew up with in Dallas and how Jews internalize these antisemitic judgments. Moreover, Tishby notes, “it is literally impossible to be Jewish and not have any connection with Israel, and I’m not talking about borders or a dot on the map. Judaism…is an indigenous religion.” Acho wonders if one can legitimately criticize “Jewish people and their ideologies” without being antisemitic, and Tishby offers ways to check whether one’s criticism of Jews or Zionism is antisemitic or factually straightforward. The authors also touch on the deteriorating relationship between Black and Jewish Americans, despite their historically close alliance during the civil rights era. “As long as Jewish people get to benefit from appearing white while Black people have to suffer for being Black, there will always be resentment,” notes Acho. “Because the same thing that grants you all access—your skin color—is what grants us pain and punishment in perpetuity.” Finally, the authors underscore the importance of being mutual allies, and they conclude with helpful indexes on vernacular terms and customs.
An important dialogue at a fraught time, emphasizing mutual candor, curiosity, and respect.Pub Date: April 30, 2024
ISBN: 9781668057858
Page Count: 256
Publisher: Simon Element
Review Posted Online: March 13, 2024
Kirkus Reviews Issue: April 15, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A fierce, penetrating, and empowering call for change.
Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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