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STRANGE STARS

DAVID BOWIE, POP MUSIC, AND THE DECADE SCI-FI EXPLODED

Sci-fi geeks with a penchant for rock ’n’ stomp, prog excess, and other flavors of pop will enjoy this one.

The mothership connection is clear: Where there’s rock ’n’ roll, science fiction isn’t far away, as Hugo Award winner Heller (Taft 2012, 2012, etc.) deftly demonstrates.

The author was born in 1972, a couple of months after David Bowie’s landmark album “The Rise and Fall of Ziggy Stardust and the Spiders from Mars” appeared. That wasn’t Bowie’s first foray into sci-fi; as Heller notes, his career is bracketed and punctuated by tunes devoted to the intrepid Major Tom, who ends up a skeleton encased in a spacesuit with Bowie’s 2015 farewell album, “Blackstar.” It’s a good thing Bowie was on the case, writes the author, for Pink Floyd wasn’t going to get the interplanetary job done, and Neil Young, despite the sci-fi–born “doomsday, time-travel, space-ark” album “After the Gold Rush,” was pretty well earthbound. There’s a lot of yes, but hedging as Heller assembles his catalog of sci-fi rock: ELP may not have been thinking outer-spacey thoughts with “Tarkus,” which, “for all its highbrow musicianship…is hardly the stuff of classic sci-fi,” and X-Ray Spex was more tuned to pop culture than cyberia when Poly Styrene got to caterwauling about the Bionic Man. Still, it’s clear the author has listened to a vast assemblage of music, and readers who don’t know the foundation stories of P-Funk and Devo, Gong and Hawkwind, Kraftwerk and Jefferson Starship, and a whole host of lysergic-and-Asimov–soaked bands will find his tales to be both entertaining and instructive. His explorations sound just the right note, too, as when he unpacks the Deep Purple tune “Space Truckin’ ” to find in it “in essence, Steppenwolf’s ‘Born to Be Wild’ recast for outer-space Hell’s Angels.” Though the thesis can be a little wobbly once taken outside of the 1970s—Chuck Berry didn’t hitch his Caddy to a star, after all, and Elvis, though Martian, was resolutely terrestrial—the book holds up well to argument.

Sci-fi geeks with a penchant for rock ’n’ stomp, prog excess, and other flavors of pop will enjoy this one.

Pub Date: June 5, 2018

ISBN: 978-1-61219-697-8

Page Count: 256

Publisher: Melville House

Review Posted Online: April 3, 2018

Kirkus Reviews Issue: April 15, 2018

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THE QUEST FOR COSMIC JUSTICE

A cosmic straw man is vanquished in the fight against dangerous ideals such as social justice and equality. This is not the place to look for original ideas or honest analysis. Presumably, Sowell’s (Migrations and Cultures, 1996, etc.) goal is to entertain those who share his convictions rather than convince open-minded readers, and this audience will be pleased. “Cosmic justice” is presented as a fundamental departure from the “traditional” conception of justice, which Sowell claims has the “characteristic of a process,” rather than of a particular outcome. He conveniently forgets to mention that this “tradition” dates back only to the emergence of liberal-democratic states and that contrasting notions of procedural vs. substantive justice remain the subject of lively debate. Admitting legitimate disagreement over even something as slippery as justice would soften the blows he aims at those who think inequality and any associated oppression raises concerns a just society should address, and Sowell is not one to temper a political argument simply to maintain intellectual integrity. He is not straightforwardly defending inequality, of course, but rather is pursuing the familiar strategy of attacking measures that could alleviate it. Sowell, a fellow at the Hoover Institution at Stanford, boldly asserts that those who believe equality should be pursued through public policy “assume that politicizing inequality is free of costs and dangers.” No names are mentioned, and it is indeed hard to imagine that anyone would believe there are no costs or dangers. By stating the issue in terms of extremes, however, he ducks the real issue—the challenge of weighing costs and benefits—and avoids the need for incorporating any subtlety into his discussion. Confronted with such disingenuous blather, readers may find Sowell’s criticism of others applies well to Sowell himself: “To explain the levels of dogmatism and resistance to facts found in too many writings . . . it is necessary to explore what purposes are served by these visions.”

Pub Date: Oct. 1, 1999

ISBN: 0-684-86462-2

Page Count: 224

Publisher: Free Press

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 1999

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WHO STOLE THE AMERICAN DREAM?

Not flawless, but one of the best recent analyses of the contemporary woes of American economics and politics.

Remarkably comprehensive and coherent analysis of and prescriptions for America’s contemporary economic malaise by Pulitzer Prize–winning journalist Smith (Rethinking America, 1995, etc.).

“Over the past three decades,” writes the author, “we have become Two Americas.” We have arrived at a new Gilded Age, where “gross inequality of income and wealth” have become endemic. Such inequality is not simply the result of “impersonal and irresistible market forces,” but of quite deliberate corporate strategies and the public policies that enabled them. Smith sets out on a mission to trace the history of these strategies and policies, which transformed America from a roughly fair society to its current status as a plutocracy. He leaves few stones unturned. CEO culture has moved since the 1970s from a concern for the general well-being of society, including employees, to the single-minded pursuit of personal enrichment and short-term increases in stock prices. During much of the ’70s, CEO pay was roughly 40 times a worker’s pay; today that number is 367. Whether it be through outsourcing and factory closings, corporate reneging on once-promised contributions to employee health and retirement funds, the deregulation of Wall Street and the financial markets, a tax code which favors overwhelmingly the interests of corporate heads and the superrich—all of which Smith examines in fascinating detail—the American middle class has been left floundering. For its part, government has simply become an enabler and partner of the rich, as the rich have turned wealth into political influence and rigid conservative opposition has created the politics of gridlock. What, then, is to be done? Here, Smith’s brilliant analyses turn tepid, as he advocates for “a peaceful political revolution at the grassroots” to realign the priorities of government and the economy but offers only the vaguest of clues as to how this might occur.

Not flawless, but one of the best recent analyses of the contemporary woes of American economics and politics.

Pub Date: Sept. 11, 2012

ISBN: 978-1-4000-6966-8

Page Count: 576

Publisher: Random House

Review Posted Online: July 16, 2012

Kirkus Reviews Issue: Aug. 1, 2012

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