by Jason Hightman ‧ RELEASE DATE: Sept. 1, 2004
Hightman’s dragons are refreshingly evil, directly responsible for all the world’s ills: wars, pollution, disasters, crime, corruption, even chronic depression. Having spent most of his 13 years at an exclusive boarding school, lonely, undersized Simon knows nothing of this, until his father, Aldric St. George, snatches him from school with the news that he is the last of an ancient order of Dragonhunters. It’s his duty to exterminate the Pyrothraxes, the human-sized reptilian Dragonmen whose variable “magics” apparently function mostly to display unpleasant national stereotypes. Their nemeses aren’t much better: Aldric is scruffy, surly, and disappointingly unpaternal; Simon is torn between resentment, fear, and despair at his shortcomings in the family trade. But there is little time for adolescent angst, as the Dragons unfold a terrifying plot for mass destruction. Like a novelization of some unfilmed summer blockbuster, the story piles on nonstop action, terrific set pieces, and lots of spectacular fiery explosions to distract readers from the clunky prose, wooden characters, and nonsensical, cliché-ridden plot. If they can stop to catch a breath, they’ll probably just wait for the movie. (Fantasy. 12-15)
Pub Date: Sept. 1, 2004
ISBN: 0-06-054011-7
Page Count: 304
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2004
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by Kevin Crossley-Holland ; illustrated by Chris Riddell ‧ RELEASE DATE: April 11, 2023
Visually stunning but there are many better—because they are less rigidly traditional—versions around.
A stately rendition of the Arthurian legend, garbed in sumptuous dress.
With much use of rich golden tones and his customary fanatical attention to detail, Riddell fills every available space, from page corners to broad pictorial borders and wordless full spreads, with grave knights in extravagant full armor, slender damsels and crones in flowing silks, luxuriant castles and chambers, and frighteningly bestial giants and other monsters. Crossley-Holland’s retelling of the Matter of Britain is less impressive, though he does cover the main Christian-inflected storyline (with a few additions, such as the tale of Gawain and the Green Knight). By adding care for the Earth as a knightly task, he introduces a contemporary note. But the women are still malign witches, flighty incompetents, or temptresses—and along with having Sir Lancelot mansplain early on that “women are the same as us, but different” (“Strange creatures,” says Sir Tristram. “Their feelings are so strong,” whines Sir Geraint), the author doubles down later by mystically declaring that the Holy Grail is actually Mary, at once male and female. But if the sex all takes place behind euphemisms or closed doors, at least, there is much rousingly explicit gore in narrative and visuals, and both Arthur and the annoyingly all-knowing Merlin wind up as properly available for return comings. Some of the Round Table knights, such as Sir Lamorak, are depicted with brown skin.
Visually stunning but there are many better—because they are less rigidly traditional—versions around. (Illustrated fantasy. 12-15)Pub Date: April 11, 2023
ISBN: 978-1-5362-1265-5
Page Count: 240
Publisher: Candlewick Studio
Review Posted Online: Jan. 11, 2023
Kirkus Reviews Issue: Feb. 1, 2023
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by Kevin Crossley-Holland ; illustrated by Jeffrey Alan Love
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edited by Kevin Crossley-Holland ; illustrated by Frances Castle
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by Kevin Crossley-Holland ; illustrated by Jeffrey Alan Love
by Brandon Sanderson ‧ RELEASE DATE: Nov. 21, 2023
A grand finale, presented with a touch light enough to buoy all the self-actualization. Also: giant space worms!
Hotshot pilot Spensa Nightshade completes her apotheosis in this series closer, as human rebels and their alien allies mount a climactic assault on the galactic empire.
Having progressed from eating rats to being a cytonic superwarrior, Spensa is bonded by ties of loyalty and lust to former Skyward Flight leader, now Defiant Defense Force admiral, Jorgen—and also to a traumatized, planet-killing, interdimensional delver named Chet. Spensa would be well on her way to full-blown pacifism if the Superiority’s war of extermination against humans were not ramping up to a newly active phase. Nothing for it but a massive space battle, complete with dogfights, huge explosions, feints, betrayals, and tragic sacrifices…not to mention a swarm of ravenous, vacuum-dwelling vastworms eager to chow down on both sides. Though slowed by Spensa’s and others’ wrestling with conflicting impulses and weighing moral imperatives, the plot features more than enough large- and small-scale action set pieces to please space-opera fans. Better yet, the deliciously expansive cast includes not only humans and AIs but a broad array of aliens and semi-aliens from blue-skinned humanoids and a furry, haiku-reciting, fox-gerbil samurai with a (wait for it) laser sword to sentient crystals and empathic slugs. “The more different types of people we got into the flight, the stronger it would be,” Spensa reflects, and indeed, it’s collective action that proves decisive in the end.
A grand finale, presented with a touch light enough to buoy all the self-actualization. Also: giant space worms! (Science fiction. 12-15)Pub Date: Nov. 21, 2023
ISBN: 9780593309711
Page Count: 432
Publisher: Delacorte
Review Posted Online: Aug. 26, 2023
Kirkus Reviews Issue: Sept. 15, 2023
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by Brandon Sanderson ; illustrated by Kazu Kibuishi
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