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BUFFY THE VAMPIRE SLAYER

A PICTURE BOOK

From the Pop Classics series

Sure to inspire future slayers to take on the monsters in their closets (thankfully readers’ monsters won’t be real).

Even future vampire slayers can be afraid of the dark.

Eight-year-old Buffy is afraid of sounds coming from her closet at night. She invites her friends Willow and Xander to sleep over. They have a great night—but can’t bring themselves to open the door to the noisy closet. They ask school librarian Giles for help, and he tells Buffy that someday she’ll be a great warrior; for now, if she acts bravely, the monsters will be scared. Xander and Willow stay over again, and the trio find a closet full of smiling monsters (that every fan of Buffy’s TV show will recognize, although none of them are likely in this book’s target audience). Buffy attacks, and the monsters are cowed…and join the party—until Mom comes in. Though Buffy couldn’t have been friends with Xander and Willow at 8 according to the extensive mythos of the series/movie/comics (she moved to Sunnydale in high school) and turning some of the horrifically violent monsters into doe-eyed, glorified teddy bears is kinda creepy, Rekulak’s newest nostalgia-inspired picture book has fantastic comic-style, action-filled, colorful art by Smith and a fine (but not preachy) lesson that even rockin’ (female) heroes can be afraid sometimes. Caregiver fans will enjoy sharing their obsession with a new generation, who will enjoy reassurances that the monsters in the closet aren’t a threat. Buffy and Co. all present white, but they have some diverse classmates.

Sure to inspire future slayers to take on the monsters in their closets (thankfully readers’ monsters won’t be real). (Picture book. 4-9)

Pub Date: Sept. 4, 2018

ISBN: 978-1-68369-069-6

Page Count: 40

Publisher: Quirk Books

Review Posted Online: June 24, 2018

Kirkus Reviews Issue: July 15, 2018

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FRANKENKITTY

A top-grade creepy/funny addition to the spooky-picture-book canon.

Is a cute kitty built in a castle’s laboratory responsible for the bad things that start happening?

“Here is a tale to chill the blood and thrill the soul—a tale of spooky paws and eerie claws.” The disembodied talking skull who narrates this story is alluding to Frankenkitty, who was engineered out of multiple cats, with visible stitches to show for it. As the house ghouls look on, Frankenkitty’s inventor laments, “I’ve created a monster!” Sure enough, bad things start happening: The mummy begins to unravel. Kitchen mice terrorize the cook. Certainly, Frankenkitty must be to blame. But after the butler, who resembles Frankenstein’s Monster, tosses Frankenkitty outside into the snow, where he looks forlorn and adorable, the skull has second thoughts: “Wait! Did we get it wrong?” It’s up to readers to make the call. Powell-Tuck goes all in with her spoof of old-time horror tropes, although kids needn’t know who Boris Karloff is to be tickled. For the book’s every scare (a severed foot and hand, their bones visible), there’s a wink (in a bit of metafictive fun, the skull urges readers to opt for a story about “unicorns, beasts, or bears”). Grey, a glutton for detail, leans on menacing reds and sickly greens to capture the frights, which include, in a line for the spooky-story ages, “walls as gray as old underpants.” Human characters vary in skin tone.

A top-grade creepy/funny addition to the spooky-picture-book canon. (Picture book. 4-8)

Pub Date: July 7, 2026

ISBN: 9781664300972

Page Count: 32

Publisher: Tiger Tales

Review Posted Online: March 23, 2026

Kirkus Reviews Issue: April 15, 2026

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THE LITTLE GHOST WHO WAS A QUILT

From the Little Ghost Quilt Book series

Halloween is used merely as a backdrop; better holiday titles for young readers are available.

A ghost learns to appreciate his differences.

The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)

Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)

Pub Date: Sept. 1, 2020

ISBN: 978-0-7352-6447-2

Page Count: 48

Publisher: Tundra Books

Review Posted Online: July 13, 2020

Kirkus Reviews Issue: Aug. 1, 2020

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