Artful, cathartic, and most needed.
A profound visual testimony to how much changed while we all had to stay inside and how much—painfully, mournfully—stayed the same.
Reynolds’ poetry and Griffin’s art perform a captivating dance on pages of mixed-media collage and emotive reflection on the pronounced threats facing a contemporary Black family. In “Breath One,” the opening of the verse narrative, the unnamed boy protagonist struggles with the onslaught of TV news coverage of the systemic violence and death experienced by Black people—coverage that is both overwhelming and insufficient. The television then forms the backdrop of the narrator’s concerns for his bedridden father, who is struggling with an acute respiratory illness while isolated in a bedroom. The art is sometimes spare and monochrome before shifting to a bright and striking palette as Griffin deploys aesthetics that enliven the rich flow and rhythm of Reynolds’ words. The two skillfully go back and forth like rap duos of old, each with a distinct voice that enriches the other. The result is an effective critique of the ways we’ve failed as a society to care for one another. By “Breath Three,” however, a complicated optimism shines through for a family that perseveres through closeness and connection despite what is broadcast from their TV. While grounded in 2020, many of the issues touched on explicitly are very much not over and not even new, making this remarkable work both timely and timeless.
Artful, cathartic, and most needed. (conversation between creators) (Illustrated poetry. 12-18)Pub Date: Jan. 11, 2022
ISBN: 978-1-5344-3946-7
Page Count: 384
Publisher: Caitlyn Dlouhy/Atheneum
Review Posted Online: Oct. 12, 2021
Kirkus Reviews Issue: Nov. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An enticing, turbulent, and satisfying final voyage.
Adrian, the youngest of the Montague siblings, sails into tumultuous waters in search of answers about himself, the sudden death of his mother, and her mysterious, cracked spyglass.
On the summer solstice less than a year ago, Caroline Montague fell off a cliff in Aberdeen into the sea. When the Scottish hostel where she was staying sends a box of her left-behind belongings to London, Adrian—an anxious, White nobleman on the cusp of joining Parliament—discovers one of his mother’s most treasured possessions, an antique spyglass. She acquired it when she was the sole survivor of a shipwreck many years earlier. His mother always carried that spyglass with her, but on the day of her death, she had left it behind in her room. Although he never knew its full significance, Adrian is haunted by new questions and is certain the spyglass will lead him to the truth. Once again, Lee crafts an absorbing adventure with dangerous stakes, dynamic character growth, sharp social and political commentary, and a storm of emotion. Inseparable from his external search for answers about his mother, Adrian seeks a solution for himself, an end to his struggle with mental illness—a journey handled with hopeful, gentle honesty that validates the experiences of both good and bad days. Characters from the first two books play significant secondary roles, and the resolution ties up their loose ends. Humorous antics provide a well-measured balance with the heavier themes.
An enticing, turbulent, and satisfying final voyage. (Historical fiction. 14-18)Pub Date: Nov. 16, 2021
ISBN: 978-0-06-291601-3
Page Count: 464
Publisher: Katherine Tegen/HarperCollins
Review Posted Online: Aug. 31, 2021
Kirkus Reviews Issue: Sept. 15, 2021
A gentle emphasis on hope and healing makes this a compassionate, restorative collection.
British Indian poet and playwright Gill’s first work for young adults is a tender, feminist examination of hard topics that honors quiet moments of healing and connection.
This poetry collection, organized around the four seasons, has sections that begin with a line of advice for each sign in the zodiac. Many of the poems focus on women’s bonds and identity: There are meditations on the women who have come before and those who will come after, emphasizing enduring mutual support. Romantic love, with partners of different genders, and self-love are explored next. The family section delves into toxic family ties and different parental reactions to coming out. There’s also a powerful meditation on colorism: “As a child, the aunties called my sister Coal. / Coal because of the colour of her skin, / not because of her ability to become fuel, / to glow so brightly despite them.” The next few sections—on hurting, protest, and body image—are empowering, inclusive reminders of one’s value. Topics like microaggressions, climate change, and the importance of voting are addressed: “You deserve a future filled with hope.” The concluding pieces about healing, friendship, and found family are soothing and beautiful. The concise poems, many of which contain abstract ruminations that feel relevant to many moments of joy and pain, combined with Gill’s black-and-white sketches, are accessible and welcoming.
A gentle emphasis on hope and healing makes this a compassionate, restorative collection. (author’s note) (Poetry. 14-18)Pub Date: Oct. 10, 2023
ISBN: 9781529083606
Page Count: 192
Publisher: Macmillan Children's Books
Review Posted Online: Aug. 11, 2023
Kirkus Reviews Issue: Sept. 1, 2023
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