An astonishingly well-crafted work of social and political satire.
Rabbits, foxes, weasels, and other creatures live as humans, among humans in Fforde’s wonderfully absurd new novel.
Fifty-five years ago, the Spontaneous Anthropormorphizing Event resulted in 18 rabbits, “six weasels, five guinea pigs, three foxes, a Dalmatian, a badger, nine bees and a caterpillar” inexplicably becoming, well, anthropomorphized. As time went on, the animals continued to reproduce—especially the rabbits—causing a bit of a political crisis for humans, who are loathe to extend human rights to human-adjacent creatures. Rabbits in particular are subject to cruelty and suspicion because of their rapid reproductive rate, causing political parties like the United Kingdom Anti-Rabbit Party and hate groups like TwoLegsGood (because humans, unlike animals, have two legs, get it?) to rise to immense power. Racism as we know it still exists in this world, as does Brexit. Indeed, "the consequences of the Event seemed to highlight areas of the human social experience that perhaps needed greater exploration, understanding and some kind of concerted action...although once a fringe idea, the notion that the event might have been satirically induced was gaining wider acceptance.” And is there anyone who can write satire quite like Fforde? Perhaps the sharpest, most searing aspect of this brilliant satire is the choice of Peter Knox as narrator. An unassuming human who thinks himself a well-meaning cog in a regrettably evil machine, Knox finds himself at the very center of the rabbit resistance. Not only must he make the choice to atone for the part he has played in the violent government organization RabCoT (Rabbit Compliance Taskforce) and put himself in danger for a greater good, but he learns to embrace a supporting role in a struggle that is not about him at all.
An astonishingly well-crafted work of social and political satire.Pub Date: Sept. 29, 2020
ISBN: 978-0-59-329652-3
Page Count: 320
Publisher: Viking
Review Posted Online: June 16, 2020
Kirkus Reviews Issue: July 1, 2020
Although the melodrama sometimes is a bit much, the superb worldbuilding and intricate plotline make this a must-read.
Using mystery and romance elements in a nonlinear narrative, SenLinYu’s debut is a doorstopper of a fantasy that follows a woman with missing memories as she navigates through a war-torn realm in search of herself.
Helena Marino is a talented young healer living in Paladia—the “Shining City”—who has been thrust into a brutal war against an all-powerful necromancer and his army of Undying, loyal henchmen with immortal bodies, and necrothralls, reanimated automatons. When Helena is awakened from stasis, a prisoner of the necromancer’s forces, she has no idea how long she has been incarcerated—or the status of the war. She soon finds herself a personal prisoner of Kaine Ferron, the High Necromancer’s “monster” psychopath who has sadistically killed hundreds for his master. Ordered to recover Helena’s buried memories by any means necessary, the two polar opposites—Helena and Kaine, healer and killer—end up discovering much more as they begin to understand each other through shared trauma. While necromancy is an oft-trod subject in fantasy novels, the author gives it a fresh feel—in large part because of their superb worldbuilding coupled with unforgettable imagery throughout: “[The necromancer] lay reclined upon a throne of bodies. Necrothralls, contorted and twisted together, their limbs transmuted and fused into a chair, moving in synchrony, rising and falling as they breathed in tandem, squeezing and releasing around him…[He] extended his decrepit right hand, overlarge with fingers jointed like spider legs.” Another noteworthy element is the complex dynamic between Helena and Kaine. To say that these two characters shared the gamut of intense emotions would be a vast understatement. Readers will come for the fantasy and stay for the romance.
Although the melodrama sometimes is a bit much, the superb worldbuilding and intricate plotline make this a must-read.Pub Date: Sept. 23, 2025
ISBN: 9780593972700
Page Count: 1040
Publisher: Del Rey
Review Posted Online: July 17, 2025
Kirkus Reviews Issue: Aug. 15, 2025
A delightful, genre-defying debut.
Historical horror? Dark fantasy? Queer romance? All of the above!
“I was hundreds of years old before I ever met him, but that day we were both young.” While visiting his Florence offices in 2013, attorney Sebastian Grave unearths a bloodstained lambskin glove that belonged to a past lover—a man he’d met in the 18th century. Nestled within this frame narrative is a tale of desire, werewolves, and the French Revolution. In telling his story, Sebastian introduces Sarmodel, the demon with whom he shares a body, and a succubus named Livia contributes chapters in which Joan of Arc, her notorious ally Gilles de Rais, and the archangel Michael all make appearances. First-time novelist Sullivan wields the tools of multiple genres deftly, but what really makes this book special is its central character. Sebastian has powerful magic at his disposal, but he’s also human enough to fall hard for a hot young nobleman. When Sebastian goes hunting for the Beast of Gévaudan, he’s not looking for adventure. The first time, it’s because he can’t resist Antoine Avenel d’Ocerne. The second time, it’s because he dreams of a reunion with his love—even though he knows this is a hopeless wish against the advice of Sarmodel. Using Sebastian as a narrator keeps things light, in part because he has a droll, contemporary voice and in part because it makes the worldbuilding feel natural. There are footnotes, but there are no infodumps. The fact that Sebastian doesn’t know exactly what he is sets the tone for storytelling that leaves a great deal unexplained while providing enough detail to keep the reader engaged. Deploying Sarmodel as a sort of alter ego and allowing Livia to offer her own perspective on Sebastian also adds both depth and charm.
A delightful, genre-defying debut.Pub Date: Feb. 24, 2026
ISBN: 9781250362766
Page Count: 544
Publisher: Tor
Review Posted Online: Jan. 19, 2026
Kirkus Reviews Issue: Feb. 15, 2026
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