Mostly for Fforde’s fans, although fantasy readers with a taste for the silly should appreciate the subverted tropes.
Finally, the first in Fforde’s fantasy trilogy for young readers, published in the U.K. in 2010, makes it to this side of the pond.
In the Ununited Kingdoms (whose names and political inclinations presumably hold more meaning than their United counterparts), (nearly) 16-year-old foundling Jennifer Strange (think indentured servant with pluck) has taken over running Kazam, one of the last Houses of Enchantment. She shepherds once-powerful wizards through pizza delivery and rewiring homes in Hereford, a kingdom bordering the last Dragonland. When the last dragon’s death is foretold, Jennifer finds herself smack in the center of political maneuvering and foundering in massive tides of greed. Jennifer never comes across as adolescent or real; instead, her knowledge of her world and her even-toned narrative (even of high-intensity scenes) seem downright authorial. Too much of the novel is comprised of comic bits strung together with first-person exposition, and laughs fall flat when they depend on British slang, as with know-it-all William of Anorak. The obvious and clearly broadcast message (“Greed is all powerful; greed conquers all,” tempered by Jennifer’s innate goodness) further impedes the effect of the broad, sometimes ingenious humor. The second volume may fare better as it promises to highlight the aging, odd wizards and world rather than the less-than-sparkling Jennifer.
Mostly for Fforde’s fans, although fantasy readers with a taste for the silly should appreciate the subverted tropes. (Fantasy. 12 & up)Pub Date: Oct. 2, 2012
ISBN: 978-0-547-73847-5
Page Count: 304
Publisher: Harcourt
Review Posted Online: April 24, 2012
Kirkus Reviews Issue: Sept. 15, 2012
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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