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LORD OF ALL THE DEAD

A NONFICTION NOVEL

A beautiful, moving story that must have been extremely difficult for the author to write. Thankfully for readers, he...

A notable Spanish writer haunted by his family’s allegiances during the Spanish Civil War (1936-1939) manages to achieve a magnificent reconciliation.

Having addressed the war in previous works of both fiction and nonfiction, Cercas (The Blind Spot: An Essay on the Novel, 2018, etc.) wrestles in this “nonfiction novel” with a persistent obsession: the short life and “glorious death” of a revered member of his family, his great-uncle Manuel Mena, who died at age 19 as an enthusiastic Falangist (the foe of the Republicans) in the Battle of the Ebro in 1938. Mena had been adored by the author’s mother, who lived in the tiny village of Ibahernando in Extremadura. She had been relocated as a young bride to live in Catalonia, and the family had effectively buried Mena’s name. Shame runs at the heart of this story, as the tragedy of the civil war created terrible fissures between Francisco Franco’s loyalists and the Republicans in the tiniest towns of Spain, including the socially stratified village of Ibahernando. Indeed, Cercas had been haunted and obsessed by the shame of his family’s Francoist loyalties his entire life, and he vowed never to write about Mena, although his mother—a kind of long-suffering Beckett-ian character waiting her whole life for a return to the lost glory of her family’s past—hoped he would. Visiting the village and carefully enticing some of the skittish elders who had lived through the war to speak with him, the author clearly illustrates the deep divisions that plagued Spanish society during that tumultuous period. Cercas is a marvelous writer, and his character studies of the elusive Mena are masterly. Ultimately, grappling with the enormously nuanced, continuing story of sacrifice, passion, and dishonor allowed for significant forgiveness and release.

A beautiful, moving story that must have been extremely difficult for the author to write. Thankfully for readers, he persisted.

Pub Date: Jan. 14, 2020

ISBN: 978-0-525-52090-0

Page Count: 288

Publisher: Knopf

Review Posted Online: Oct. 9, 2019

Kirkus Reviews Issue: Nov. 1, 2019

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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