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OUTLAWS

Memory, contrition, love and loss all permeate this thoughtful contemplation on the generation of radical adolescents that...

The spectacular rise and dizzying fall of a legendary Spanish desperado.

Memory, contrition, love and loss all permeate this thoughtful contemplation on the generation of radical adolescents that emerged in Spain in its post-Franco years. With an autobiographical air, Cercas (The Anatomy of a Moment, 2011, etc.) crafts a vibrant yet realistic portrait of two teenage boys who find themselves in very different circumstances in adulthood. The voice of the novel comes from Ignacio Cañas, a retired criminal defense lawyer who is being interviewed by an unnamed journalist about his early relationship with a charismatic criminal, Antonio Gamallo, who is known to Spain as “El Zarco.” In the book’s first half, we learn how the bookish, fainthearted Cañas falls in with the blue-eyed Zarco and his exotic female companion, Tere, in the late 1970s. Their deal is based around a simple bargain: “You scratch my back, I’ll scratch yours.” The drug-fueled, rebellious trio soon graduates from burglary to robbing banks. When Cañas is freed by a sympathetic police officer named Inspector Cuenca, it sets him on a different path than his felonious friends. A quarter-century later, Tere reappears in his office with María Vela, Zarco’s girlfriend, with a plea for Cañas to lead the outlaw’s defense. It’s a compelling, drawn-out story with rich period detail and emotional depth. The first half has the flavor of Jim Carroll’s post-punk autobiographical novels, while the chronicle of Zarco’s criminal career recalls the many books and films about French gangster Jacques Mesrine. It’s also hard not to feel the swirl of emotions experienced by Cañas as he wrestles with his feelings about his childhood friend and the long attraction he's held for Tere, whose role in keeping Zarco’s secrets leaves her largely at arm’s length from the rest of the world. It’s unusual for a story about popular folklore to be so grounded, but Cercas navigates this difficult maneuver with grace. A rewarding and complex novel about finding the man behind the myths.

Pub Date: Aug. 12, 2014

ISBN: 978-1-62040-325-9

Page Count: 384

Publisher: Bloomsbury

Review Posted Online: June 30, 2014

Kirkus Reviews Issue: July 15, 2014

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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