by Jay Desind photographed by Jay Desind ‧ RELEASE DATE: July 1, 2015
Compelling photos whose color, composition, and subjects invite lingering attention.
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Text and photographs document the author’s 2010 trip to Nepal, undertaken in hopes of escape and discovery.
For Desind (Lost in Language, 2015, etc.), 2010 was difficult. Donald, his partner of 17 years, died suddenly from an undiagnosed heart condition. The relationship had been crumbling after years of diminished intimacy, and Desind was looking for a new attachment, but Donald’s death was a shock. Desind’s parents both faced serious health problems, too. Nepal represented at first an escape into the exotic as well as a chance for Desind to experiment with his new camera equipment and get over his shyness in asking people’s permission to take their photos. Some of Desind’s concerns in Nepal, like whether the new man in his life texted him back, loom very small in the post-earthquake context of this book; that said, his extraordinary photographs command attention. Each photograph is one to spend time with. They benefit from Desind’s decision to “tell a story of color and stolen moments surrounded by chaos” in a place where a town might look like “a wedding cake placed none too gently on a pile of trash.” This choice allows Desind to show off his talented eye for composition, color, and the telling juxtaposition. In one photo, a boy with thick, unruly curls and huge dark eyes stares calmly to the side; his T-shirt reads, “NATURE.” In another, a tiny store selling Pepsi is visible in the background behind the corner of a worn building traversed by colorful prayer flags. In the foreground runs the blurry shadow of a baboon. One breathtaking photo depicts an elaborately carved wooden doorway in a stone building. A sadhu’s dark-skinned legs furred with white hair rest on the stone sill, his body invisible in the interior darkness; all is brown, black, and gray but for a glimpse of worn textile with pops of ochre and plum. The effect is both dignified and homely. Moral issues are inherent to photography, and Desind deals with the issues thoughtfully, for example, showing children hard at work but also their bright-eyed exuberance.
Compelling photos whose color, composition, and subjects invite lingering attention.Pub Date: July 1, 2015
ISBN: 978-0-692-47898-1
Page Count: 230
Publisher: Pride Enterprises
Review Posted Online: Aug. 25, 2015
Kirkus Reviews Issue: Oct. 1, 2015
Review Program: Kirkus Indie
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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