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THE SUMMER SET

THE NOQUMIUT

Older readers could poke holes in the plot, but the younger set is sure to enjoy this fantastical tale of friendship,...

In 1950s America, the answer to any problem lies at the bottom of a malted from the Atomic Shake, until a wild adventure tests the unbreakable friendship between four teenagers in Province’s debut novel.

Best friends Peter “Chumbucket” Miller and Mike DeSorcier come of age in the summer of 1956. The two are gunning for the World Series championship in the Bantam League of their small Pennsylvania hometown, but as they continue their quest for the title, a string of mysterious happenings begins to take over the town and the league. They rescue a drowning woman in the Susquehanna, only to discover she has secrets of her own—starting with a coded set of documents and a mysterious ruby necklace. Soon, the boys notice dark cars filled with dark-suited men following them everywhere they go; the leader chain-smokes through a hole in his neck. Throw in two mysteriously alluring girls—Karen Croft and Jo Munro—and the boys realize that this summer is likely to be one they won’t forget. While Province aptly captures the spirit of what has become a rather nostalgic time in America’s history, the story is at times hard to follow. Initially, readers may have a difficult time orienting themselves in the time period without scene-setting, but once Province’s vision is clear, the novel stays rolling. Magical elements are thrust upon the reader with little or no explanation, which at times can be problematic. From a town hall fire blamed on an imposter-Santa and his elf to an otherworldly baseball opponent and a small stone seal that seems to hold all the answers, there’s no shortage of imagination, even if Province’s prose is clunky at times. The battle between the teenagers and the Noqumiut—those mysterious dark-suited men who are slowly taking over the town—keeps the reader engaged and ready for more.

Older readers could poke holes in the plot, but the younger set is sure to enjoy this fantastical tale of friendship, baseball and what it means to grow up.

Pub Date: Jan. 10, 2012

ISBN: 978-1467925112

Page Count: 310

Publisher: CreateSpace

Review Posted Online: Feb. 23, 2012

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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SONGS OF THE DEAD

From the Strata Wars series , Vol. 1

A headbanging beginning to what could be a remarkable urban fantasy series—heavy metal playlist sadly not included.

After being murdered and inexplicably reborn, a heavy metal musician sets out on a journey of self-discovery with nothing short of the future of humankind at stake in the first installment of Sanderson and Orullian’s Strata Wars saga.

Jack Solomon is not having a good day. After moving to London from the mean streets of Los Angeles and starting a metal band called the Hounds of Winter, he’s been kicked out of the group just weeks before they’re scheduled to open for Black Sabbath at Wembley Stadium. While Jack is walking with his good friend Henry Wilkinson—a father figure of sorts who has mentored Jack over the years and owns the music venue the Iron Horse—they are both shot and (seemingly) killed. Then Jack regains consciousness and finds himself in a hellscape with a massive mountain of fire in the distance and countless human statues everywhere. After Henry appears in the vision, telling Jack, “You’ve got more to do,” Jack awakens in front of Henry’s flat, unharmed but covered in blood. With Henry’s body missing, Jack begins to understand his new reality: He’s a thanatist (don’t call him a necromancer) and Henry’s venue hides an entrance to the Strata—“several long periods of London history that have coalesced to form layers of the past.” The Strata are inhabited by gruesome creatures and millions of memories, and Jack discovers that someone wants to take over the Iron Horse, with its staircase to every level of the Strata, and begin a revolution where music (curated by a madman) can change the future of humanity. The many shoutouts to legendary bands notwithstanding, this novel is powered by two elements: the exceptional worldbuilding of the subterranean Strata, whose potential is virtually limitless; and Jack’s deeply personal healing journey, which includes forgiving others—like his mother, who abandoned him—and himself. Jack’s story arc is comparable to his adventures in the Strata: The deeper he descends into the Strata, the deeper he delves into himself.

A headbanging beginning to what could be a remarkable urban fantasy series—heavy metal playlist sadly not included.

Pub Date: June 16, 2026

ISBN: 9781668068144

Page Count: 464

Publisher: Saga/Simon & Schuster

Review Posted Online: April 6, 2026

Kirkus Reviews Issue: May 1, 2026

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