An exceptional sequel that will leave readers eager for more.
Following the events of Black Girls Must Die Exhausted (2018), Tabitha Walker courageously navigates a risky pregnancy, an old flame, and workplace racism in Allen’s delightful sequel.
After the death of her beloved Granny Tab less than a year ago, Tabitha refuses to waste any more time on starting a family. Last year’s medical diagnosis of premature ovarian reserve failure encouraged Tab to do in vitro fertilization with a sperm donor, and she's just received the life-changing news: She’s having a son. Tab plans to raise the child alone as a “single mother by choice, much to the dismay of her ex-boyfriend Marc. Although they’ve been friends-with-benefits for the past few months, she hopes he will join the village (including her friends Alexis and Laila; unconventional doula Andouele; and Granny Tab's best friend, Ms. Gretchen, who's going to be the “glam-maw”) that it will take to help raise her baby. But then her doctor unleashes a bombshell: The baby is a girl, which means it isn't the embryo he implanted. Which means that the baby is Marc's. Suddenly, Tab’s carefully laid plans for the future go haywire in all aspects of her life. Chris, her ratings-hungry boss at the TV station where she works as a news reporter, informs her that viewers have filed complaints about seeing her natural hair on air; Marc wants to be more than friends; and her father might be having an affair, again. Over the course of nine months, Tab can’t help but wonder whether this is the happy ending she chose for herself or whether it was simply decided for her. Author Allen moves through Tabitha’s pregnancy at an efficient pace, writing with flowing, poetic prose, as in this passage when Tabitha unloosens her braids: “They felt glorious, like thick grapevines hanging from my scalp. I let my eyes linger on them lovingly. This moment was my truth. Here I was, the real me—unfurled, free, unrestrained, wild in my spirit and natural in my appearance.” Tabitha’s journey is raw and real, and Allen’s description of the different realities of motherhood is exceedingly authentic and powerful, as demonstrated through this moniker that Tabitha applies to herself: “single mother by courage.”
An exceptional sequel that will leave readers eager for more.Pub Date: Feb. 1, 2022
ISBN: 978-0-06-313-792-9
Page Count: 272
Publisher: Harper Perennial/HarperCollins
Review Posted Online: Jan. 11, 2023
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
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