The memoirs of a '70s punk/drag sub-icon whose unique trajectory across the counterculture has supplied her with great troves of decadent gossip as well as novel insights into life as a transsexual. County, nÇe Wayne Rogers, grew up a ``sissy boy'' in small-town Georgia and adopted flamboyant habits of makeup and dress while still in his teens, in the mid-'60s. Moving to New York City, County established a niche on the hippie edge of the gay community—in the summer of 1969 County both rioted at the Stonewall and grooved at Woodstock. While working menial day jobs, he was soon sharing an apartment with Warhol drag superstars Holly Woodlawn and Jackie Curtis, whose outrageous personalities and talents are the subject of some delightful, seamy anecdotes. Under Curtis's influence County adopted an extravagant, absurdist approach to cross-dressing that would be an important vehicle in an ongoing transformation from ``him'' to ``her.'' County acted in surrealist theatrical farces like the Warhol-sponsored Pork and DJ'ed at Max's Kansas City, where she began performing with a rock band in 1972. When punk exploded, County started making records, performing, and rubbing shoulders with Sid Vicious and the Clash. But strained by her amphetamine use and tensions within her band, County's odd career in rock had largely collapsed by the end of the '70s (after a hiatus, she has returned today to recording and performing). County discusses with disarming forthrightness the ambiguities of gender and her decision to forgo sex-change surgery (she does take female hormones). And she avoids both self-pity and backbiting, recalling frankly even her stint as a prostitute in '80s Berlin and London. County's lively memoir illuminates the original intermingling of gay and punk subcultures that's experiencing an energetic resurgence today. (2 b&w photo inserts)
Pub Date: April 1, 1996
ISBN: 1-85242-338-2
Page Count: 184
Publisher: Serpent’s Tail
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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