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ONCE MORE WE SAW STARS

A poignantly uplifting memoir of moving forward after terrible loss.

A Brooklyn-based music journalist’s account of his 2-year-old daughter’s accidental death and his journey to acceptance of her passing.

One day, Greene and his wife, Stacy, left Greta with her grandmother. Shockingly, a brick from an eighth-story windowsill fell on Greta’s skull, causing irreversible brain damage. Overcome with grief and guilt for having “failed this little person so completely,” the couple struggled to fit the shattered pieces of their life together again. “Grief at its peak has a terrible beauty to it,” he writes, “a blinding fission of every emotion.” A bitter rage made Greene hate the “unexamined happiness” of the people—especially parents—he saw around him while Stacy was forced to confront not only her own anguish, but that of her mother. After feeling Greta’s presence in a local park, the author suddenly realized that “there will be more light upon this earth for me.” He and Stacy began attending grief workshops, one of which included a medium who encouraged them to “pay attention to signs” from their loved ones. They also decided to leave the home where Greta “padd[ed] agreeably around every corner” and start a new life—complete with what they hoped would one day be another child—elsewhere in the city. They took up yoga while Greene “became a prospector for safe screaming spaces” where he could release pent-up emotional suffering. After the couple discovered they were pregnant, they went to see a ceremonialist in New Mexico who they hoped would help them process Greta’s death along with the impending birth of the son who would never know his sister. The powerful visions of death and rebirth they experienced helped them to understand and embrace the brokenness within themselves with love, grace, and gratitude. Compassionate and sensitively told, Greene’s story accomplishes an exceptionally difficult feat: transforming tragedy into both a spiritual journey and a celebration of wonder.

A poignantly uplifting memoir of moving forward after terrible loss.

Pub Date: May 14, 2019

ISBN: 978-1-5247-3353-7

Page Count: 256

Publisher: Knopf

Review Posted Online: Feb. 27, 2019

Kirkus Reviews Issue: March 15, 2019

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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