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ONCE MORE WE SAW STARS

A poignantly uplifting memoir of moving forward after terrible loss.

A Brooklyn-based music journalist’s account of his 2-year-old daughter’s accidental death and his journey to acceptance of her passing.

One day, Greene and his wife, Stacy, left Greta with her grandmother. Shockingly, a brick from an eighth-story windowsill fell on Greta’s skull, causing irreversible brain damage. Overcome with grief and guilt for having “failed this little person so completely,” the couple struggled to fit the shattered pieces of their life together again. “Grief at its peak has a terrible beauty to it,” he writes, “a blinding fission of every emotion.” A bitter rage made Greene hate the “unexamined happiness” of the people—especially parents—he saw around him while Stacy was forced to confront not only her own anguish, but that of her mother. After feeling Greta’s presence in a local park, the author suddenly realized that “there will be more light upon this earth for me.” He and Stacy began attending grief workshops, one of which included a medium who encouraged them to “pay attention to signs” from their loved ones. They also decided to leave the home where Greta “padd[ed] agreeably around every corner” and start a new life—complete with what they hoped would one day be another child—elsewhere in the city. They took up yoga while Greene “became a prospector for safe screaming spaces” where he could release pent-up emotional suffering. After the couple discovered they were pregnant, they went to see a ceremonialist in New Mexico who they hoped would help them process Greta’s death along with the impending birth of the son who would never know his sister. The powerful visions of death and rebirth they experienced helped them to understand and embrace the brokenness within themselves with love, grace, and gratitude. Compassionate and sensitively told, Greene’s story accomplishes an exceptionally difficult feat: transforming tragedy into both a spiritual journey and a celebration of wonder.

A poignantly uplifting memoir of moving forward after terrible loss.

Pub Date: May 14, 2019

ISBN: 978-1-5247-3353-7

Page Count: 256

Publisher: Knopf

Review Posted Online: Feb. 27, 2019

Kirkus Reviews Issue: March 15, 2019

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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