A new Robin Hood rides in London, robbing gentlemen, humiliating rivals in Elizabeth’s Court, and threatening the reputation of Shakespeare’s theater. When actors end up dead or missing, the theater company—already seen as unsavory by many—stands to be further shamed. It’s a thrilling story of cutpurses, highwaymen, murder, intrigue, and eventually the midnight dismantling of the Burbages’ Theater. In the middle of all of this is young Richard Malory, apprentice in The Lord Hunsdon’s Men. Kit Glover, his fellow apprentice, is suspected of being an accomplice to thieves, and Richard puts his life on the line to find the truth. In the meantime, the shows must go on and readers are treated to many details of Elizabethan theater: boys playing female characters, the staging of battle scenes, the midsummer plague season, Shakespeare’s rivals, and the behavior of theater audiences. At its heart, this is about how the theater thrives and “how a good play is like life,” and fittingly, the language of the story sparkles. “Spoken words, things of shaped and polished air that flash but once, then flicker away” are the currency of Shakespeare’s plays and of Cheaney’s prose. This lively second novel in the author’s Shakespearean drama (The Playmaker, 2000) is a fine addition to the growing body of literature about Shakespeare’s world, including Susan Cooper’s King of Shadows and Gary L. Blackwood’s The Shakespeare Stealer. (map, cast of characters, historical note) (Fiction. 10+)
Pub Date: Oct. 8, 2002
ISBN: 0-375-81433-7
Page Count: 256
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2002
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Ideal for readers seeking perspectives on war, with a heavy dash of romance and touch of fantasy.
A war between gods plays havoc with mortals and their everyday lives.
In a time of typewriters and steam engines, Iris Winnow awaits word from her older brother, who has enlisted on the side of Enva the Skyward goddess. Alcohol abuse led to her mother’s losing her job, and Iris has dropped out of school and found work utilizing her writing skills at the Oath Gazette. Hiding the stress of her home issues behind a brave face, Iris competes for valuable assignments that may one day earn her the coveted columnist position. Her rival for the job is handsome and wealthy Roman Kitt, whose prose entrances her so much she avoids reading his articles. At home, she writes cathartic letters to her brother, never posting them but instead placing them in her wardrobe, where they vanish overnight. One day Iris receives a reply, which, along with other events, pushes her to make dramatic life decisions. Magic plays a quiet role in this story, and readers may for a time forget there is anything supernatural going on. This is more of a wartime tale of broken families, inspired youths, and higher powers using people as pawns. It flirts with clichéd tropes but also takes some startling turns. Main characters are assumed White; same-sex marriages and gender equality at the warfront appear to be the norm in this world.
Ideal for readers seeking perspectives on war, with a heavy dash of romance and touch of fantasy. (Fantasy. 14-18)Pub Date: April 4, 2023
ISBN: 978-1-250-85743-9
Page Count: 368
Publisher: Wednesday Books
Review Posted Online: Jan. 11, 2023
Kirkus Reviews Issue: Feb. 1, 2023
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
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