It’s a bit mannered, but high production values and a realistic mix of behavioral ups and downs keep it from turning twee or...
In this pretty if occasionally precious app, a mercurial child’s moods and whims find allegorical counterparts in the flower garden she plants.
Being initially dismissive of the 16 seeds she is given, her first careless toss grows up Spoiled (Primula putris) with a “ring of slimy petals / that smelled of black bananas.” Soon, though, a lighter mood sows Cheerfulness (Helianthus hilaris), followed by positives from Hope (Asclepias spes) to Diligence (Viticula industria). Her progress is not without incidents of backsliding, like Tattle Tale (Proditio pusilla), with its “smell of rats,” and Fibs (Mendacium delicatum). Ultimately she plants Gratitude (Iris memoris), then gathers up all the seeds from “the cottage gardens of our hearts” to pass on to others. Herz and Scott’s measured free verse is cast into italics with decorated initials, and Stokes’ illustrations, which appear opposite, begin, mostly, with delicate seeds placed on elegantly plain backdrops. Tapping an icon under each page of narrative causes the seeds to open, grow twining stems and burst into recognizable but fancifully altered flowers as bees, butterflies and the tiny girl look on or drift playfully past. There is no audio track. The final lush garden scene, accessible from any screen, functions as an interactive index and also features instructions for sharing sample illustrations via email.
It’s a bit mannered, but high production values and a realistic mix of behavioral ups and downs keep it from turning twee or labored. (Requires iOS 6 and above.) (iPad poetry app. 6-10)Pub Date: Feb. 4, 2014
ISBN: N/A
Page Count: -
Publisher: Coliloquy, LLC
Review Posted Online: Sept. 13, 2014
Kirkus Reviews Issue: Oct. 1, 2014
This outing lacks the sophistication of such category standards as Clementine; here’s hoping English amps things up for...
A gentle voice and familiar pitfalls characterize this tale of a boy navigating the risky road to responsibility.
Gavin is new to his neighborhood and Carver Elementary. He likes his new friend, Richard, and has a typically contentious relationship with his older sister, Danielle. When Gavin’s desire to impress Richard sets off a disastrous chain of events, the boy struggles to evade responsibility for his actions. “After all, it isn’t his fault that Danielle’s snow globe got broken. Sure, he shouldn’t have been in her room—but then, she shouldn’t be keeping candy in her room to tempt him. Anybody would be tempted. Anybody!” opines Gavin once he learns the punishment for his crime. While Gavin has a charming Everyboy quality, and his aversion to Aunt Myrtle’s yapping little dog rings true, little about Gavin distinguishes him from other trouble-prone protagonists. He is, regrettably, forgettable. Coretta Scott King Honor winner English (Francie, 1999) is a teacher whose storytelling usually benefits from her day job. Unfortunately, the pizzazz of classroom chaos is largely absent from this series opener.
This outing lacks the sophistication of such category standards as Clementine; here’s hoping English amps things up for subsequent volumes. (Fiction. 6-9)Pub Date: Dec. 17, 2013
ISBN: 978-0-547-97044-8
Page Count: 128
Publisher: Clarion Books
Review Posted Online: Oct. 1, 2013
Kirkus Reviews Issue: Oct. 15, 2013
BOOK REVIEW
BOOK REVIEW
More trampling in the vineyards of the Literary Classics section, with results that will tickle fancies high and low.
Recasting Dog Man and his feline ward, Li’l Petey, as costumed superheroes, Pilkey looks East of Eden in this follow-up to Tale of Two Kitties (2017).
The Steinbeck novel’s Cain/Abel motif gets some play here, as Petey, “world’s evilest cat” and cloned Li’l Petey’s original, tries assiduously to tempt his angelic counterpart over to the dark side only to be met, ultimately at least, by Li’l Petey’s “Thou mayest.” (There are also occasional direct quotes from the novel.) But inner struggles between good and evil assume distinctly subordinate roles to riotous outer ones, as Petey repurposes robots built for a movie about the exploits of Dog Man—“the thinking man’s Rin Tin Tin”—while leading a general rush to the studio’s costume department for appropriate good guy/bad guy outfits in preparation for the climactic battle. During said battle and along the way Pilkey tucks in multiple Flip-O-Rama inserts as well as general gags. He lists no fewer than nine ways to ask “who cut the cheese?” and includes both punny chapter titles (“The Bark Knight Rises”) and nods to Hamiltonand Mary Poppins. The cartoon art, neatly and brightly colored by Garibaldi, is both as easy to read as the snappy dialogue and properly endowed with outsized sound effects, figures displaying a range of skin colors, and glimpses of underwear (even on robots).
More trampling in the vineyards of the Literary Classics section, with results that will tickle fancies high and low. (drawing instructions) (Graphic fantasy. 7-10)Pub Date: Dec. 26, 2017
ISBN: 978-0-545-93518-0
Page Count: 256
Publisher: Graphix/Scholastic
Review Posted Online: May 13, 2018
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