It’s a bit mannered, but high production values and a realistic mix of behavioral ups and downs keep it from turning twee or...

A DARK AND DISMAL FLOWER

In this pretty if occasionally precious app, a mercurial child’s moods and whims find allegorical counterparts in the flower garden she plants.

Being initially dismissive of the 16 seeds she is given, her first careless toss grows up Spoiled (Primula putris) with a “ring of slimy petals / that smelled of black bananas.” Soon, though, a lighter mood sows Cheerfulness (Helianthus hilaris), followed by positives from Hope (Asclepias spes) to Diligence (Viticula industria). Her progress is not without incidents of backsliding, like Tattle Tale (Proditio pusilla), with its “smell of rats,” and Fibs (Mendacium delicatum). Ultimately she plants Gratitude (Iris memoris), then gathers up all the seeds from “the cottage gardens of our hearts” to pass on to others. Herz and Scott’s measured free verse is cast into italics with decorated initials, and Stokes’ illustrations, which appear opposite, begin, mostly, with delicate seeds placed on elegantly plain backdrops. Tapping an icon under each page of narrative causes the seeds to open, grow twining stems and burst into recognizable but fancifully altered flowers as bees, butterflies and the tiny girl look on or drift playfully past. There is no audio track. The final lush garden scene, accessible from any screen, functions as an interactive index and also features instructions for sharing sample illustrations via email.

It’s a bit mannered, but high production values and a realistic mix of behavioral ups and downs keep it from turning twee or labored. (Requires iOS 6 and above.) (iPad poetry app. 6-10)

Pub Date: Feb. 4, 2014

ISBN: N/A

Page Count: -

Publisher: Coliloquy, LLC

Review Posted Online: Sept. 14, 2014

Kirkus Reviews Issue: Oct. 1, 2014

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LIBRARY LION

Knudsen and Hawkes pick a perfect setting to express the idea that breaking rules can sometimes be a good thing. When a lion wanders into a small town public library the Head Librarian, Miss Merriweather, brushes off the protestations of her realistically officious colleague Mr. McBee and allows it to stay—so long as it keeps quiet, doesn’t run and makes itself useful cleaning books and licking envelopes while waiting for storytime to begin. Anxious-looking patrons of all ages quickly become accepting ones in Hawkes’s soft toned watercolors, and if Miss Merriweather’s hair and dress seem a bit stereotypical, occasional CRT monitors balance glimpses of rubber date stamps and a card catalog in his gracious, old style interiors. When Miss Merriweather takes a fall, the lion roars to attract help, then slinks out in shame—but McBee redeems himself by bustling out into the rain to inform the offender that Exceptions to the Rules are sometimes allowed. Consider this a less prescriptive alternative to Eric A. Kimmel’s I Took My Frog to the Library (1990), illustrated by Blanche Sims—and it doesn’t hurt that the maned visitor is as huge and friendly looking as the one in James Daugherty’s classic Andy and the Lion. (Picture book. 6-8)

Pub Date: Sept. 1, 2006

ISBN: 0-7636-2262-1

Page Count: 48

Publisher: Candlewick

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Aug. 1, 2006

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More trampling in the vineyards of the Literary Classics section, with results that will tickle fancies high and low.

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DOG MAN AND CAT KID

From the Dog Man series , Vol. 4

Recasting Dog Man and his feline ward, Li’l Petey, as costumed superheroes, Pilkey looks East of Eden in this follow-up to Tale of Two Kitties (2017).

The Steinbeck novel’s Cain/Abel motif gets some play here, as Petey, “world’s evilest cat” and cloned Li’l Petey’s original, tries assiduously to tempt his angelic counterpart over to the dark side only to be met, ultimately at least, by Li’l Petey’s “Thou mayest.” (There are also occasional direct quotes from the novel.) But inner struggles between good and evil assume distinctly subordinate roles to riotous outer ones, as Petey repurposes robots built for a movie about the exploits of Dog Man—“the thinking man’s Rin Tin Tin”—while leading a general rush to the studio’s costume department for appropriate good guy/bad guy outfits in preparation for the climactic battle. During said battle and along the way Pilkey tucks in multiple Flip-O-Rama inserts as well as general gags. He lists no fewer than nine ways to ask “who cut the cheese?” and includes both punny chapter titles (“The Bark Knight Rises”) and nods to Hamiltonand Mary Poppins. The cartoon art, neatly and brightly colored by Garibaldi, is both as easy to read as the snappy dialogue and properly endowed with outsized sound effects, figures displaying a range of skin colors, and glimpses of underwear (even on robots).

More trampling in the vineyards of the Literary Classics section, with results that will tickle fancies high and low. (drawing instructions) (Graphic fantasy. 7-10)

Pub Date: Dec. 26, 2017

ISBN: 978-0-545-93518-0

Page Count: 256

Publisher: Graphix/Scholastic

Review Posted Online: May 14, 2018

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