A fascinating look at a slice of history that may be unfamiliar to many general readers.
A new history of the 1830s anti-slavery movement and the unprecedented violence with which it was met.
Dickey focuses on several key abolitionist leaders, notably William Lloyd Garrison, easily the best-known figure of the movement’s early years. But as the author shows, Garrison was hardly alone. While he was a pioneering voice, he had a number of supporters and rivals for the leading role in the movement. Among them, silk merchants Lewis and Arthur Tappan “generously funded the movement as part of their social gospel of evangelical Christianity.” The brothers, write the author, “would go down in history as the money men behind the movement, but their role was much more pivotal.” James Forten, a Philadelphia sailmaker, and his daughters were among the most prominent Black abolitionists of the era. As Dickey’s title suggests, the movement had more than its share of opponents—not only Southerners who wanted to maintain the status quo, but also Northern business interests that had considerable stakes in their interactions with slaveholders as well as low-wage White workers who viewed African Americans as threats. Another major faction were colonizers, who supported returning ex-slaves to Africa, a program firmly opposed by Garrison and his allies. Dickey offers a well-documented history of how the abolition movement grew and changed over the years and of the race riots that swept Northern cities, including Boston, New York, and Philadelphia. The author also examines a recurring issue for the abolitionists: whether or not to defend themselves against the violence of their opponents. Garrison remained firmly committed to nonviolence despite a “near-lynching” in Boston in 1835. Interestingly, while many of the abolitionists based their beliefs on Christian doctrine, Garrison eventually came to distrust religion as an unreliable ally. Others, worn out by the epic struggle, retired in favor of younger abolition fighters such as Frederick Douglass.
A fascinating look at a slice of history that may be unfamiliar to many general readers.Pub Date: March 1, 2022
ISBN: 978-1-64313-928-9
Page Count: 408
Publisher: Pegasus
Review Posted Online: Jan. 10, 2022
Kirkus Reviews Issue: Feb. 1, 2022
BOOK REVIEW
Essential reading for any Twain buff and student of American literature.
A decidedly warts-and-all portrait of the man many consider to be America’s greatest writer.
It makes sense that distinguished biographer Chernow (Washington: A Life and Alexander Hamilton) has followed up his life of Ulysses S. Grant with one of Mark Twain: Twain, after all, pulled Grant out of near bankruptcy by publishing the ex-president’s Civil War memoir under extremely favorable royalty terms. The act reflected Twain’s inborn generosity and his near pathological fear of poverty, the prime mover for the constant activity that characterized the author’s life. As Chernow writes, Twain was “a protean figure who played the role of printer, pilot, miner, journalist, novelist, platform artist, toastmaster, publisher, art patron, pundit, polemicist, inventor, crusader, investor, and maverick.” He was also slippery: Twain left his beloved Mississippi River for the Nevada gold fields as a deserter from the Confederate militia, moved farther west to California to avoid being jailed for feuding, took up his pseudonym to stay a step ahead of anyone looking for Samuel Clemens, especially creditors. Twain’s flaws were many in his own day. Problematic in our own time is a casual racism that faded as he grew older (charting that “evolution in matters of racial tolerance” is one of the great strengths of Chernow’s book). Harder to explain away is Twain’s well-known but discomfiting attraction to adolescent and even preadolescent girls, recruiting “angel-fish” to keep him company and angrily declaring when asked, “It isn’t the public’s affair.” While Twain emerges from Chernow’s pages as the masterful—if sometimes wrathful and vengeful—writer that he is now widely recognized to be, he had other complexities, among them a certain gullibility as a businessman that kept that much-feared poverty often close to his door, as well as an overarchingly gloomy view of the human condition that seemed incongruous with his reputation, then and now, as a humanist.
Essential reading for any Twain buff and student of American literature.Pub Date: May 13, 2025
ISBN: 9780525561729
Page Count: 1174
Publisher: Penguin Press
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
SEEN & HEARD
SEEN & HEARD
Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.
Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.
The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.
Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.Pub Date: April 21, 2020
ISBN: 978-1-250-21458-4
Page Count: 400
Publisher: St. Martin's
Review Posted Online: Jan. 19, 2020
Kirkus Reviews Issue: Feb. 15, 2020
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
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