Then again, as one popular saying goes, common sense is not common–perhaps that one should have been included here.
“Pertinent truths” meant to inspire writers in search of deeper meaning in their words.
In the political frenzy of an election year, the ability to captivate with a soundbite proves ever necessary. And while presidential candidates have speechwriters aplenty to help mesmerize the masses, the rest of us don’t have it so easy. And so a whole industry has been built upon the supposition that many of us often suffer from a crippling case of writer’s block when trying to wax poetic. Greeting cards that do the talking for us–“I love you,” “Hang in there, champ” or “You’re the best”–fill drugstore aisles. Paperbacks filled with Pablo Neruda poems fly off bookstore shelves around Valentine’s Day. And then there’s that niche filled with the Dr. Phil McGraws of the world, the inspirational genre formulating phrases to make our inner selves sing. Gordon considers himself in that league. Here, his “inspiring, witty and motivating words,” coupled with illustrations, are offered to help unclog that word-pumping artery, or better yet, soothe what ails you and make you think. It sounds a bit Chicken Soup for the Soul-ish, but it’s not exactly. There are words that do make you ponder: “Aim to be rich–poverty is more expensive,” for example. One can hardly argue with some of the revelations in these pages. “Read the signs carefully,” one of the sayings goes, tactfully partnered with a picture of a warning sign that reads: Primates (monkeys) are highly intelligent and are capable of inflicting serious injury when teased or harassed. Indeed, that is a sign worth reading. Mind-blowing, life-altering, thought-provoking even? No–most of this is a simple matter of common sense, something surely one’s grandmother often uttered when imparting good old-fashioned wisdom.
Then again, as one popular saying goes, common sense is not common–perhaps that one should have been included here.Pub Date: Jan. 9, 2008
ISBN: 978-1-4257-5673-4
Page Count: 56
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
IN THE NEWS
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
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