A tale about the timber industry that is as impressively rich and textured as the landscape it surveys.
Set in a sawmill town in the Pacific Northwest at the turn of the 20th century, this historical novel dramatically charts rising tensions that can only lead to disaster.
“The boom and bust cycle of Everett’s sawdust economy turned the town into a place of incredible extremes,” explains Howard (Both Sides of The Wish, 2013) in his historical note that prefaces this book. In the early 1900s, Everett, Washington, is the locus of the timber industry in the Northwest. Such is the demand for labor that it becomes widely known as a location where an unskilled worker can easily find a job. Wave after wave of newcomers arrive in hopes of securing a wage. As a consequence, the area’s demographics alter radically and rapidly, transforming Everett into a hard-drinking, hard-gambling, volatile town. The author captures this unrest from a variety of perspectives: characters range from the wealthy, conniving mill owner, Luther MacCullock, to the underpaid laborers toiling in the forest. The novel opens with the workers striking and observes the extremes to which MacCullock will go to control his employees. The sense of agitation slowly builds, heightened further by the arrival of the Wobblies, or Industrial Workers of the World, a radical labor union. The engaging novel boasts an ambitiously broad character list, which means that no individual is fully developed. This minor criticism is offset by the author’s enviable descriptive skills that bring Everett to life to the extent that a reader can smell the sweat and sawdust: “With every ax swing they bit deep into the yellow-white wood. Large chips of fir fell to the forest floor as the cool morning air filled their lungs. After four hours the undercut was done, and a breeze picked up. The crowns of the trees rustled and swayed.” Thoroughly researched with a deep understanding of the town and its people, this novel should be a must for anyone interested in the great American boomtowns.
A tale about the timber industry that is as impressively rich and textured as the landscape it surveys.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: CreateSpace
Review Posted Online: Feb. 2, 2016
Kirkus Reviews Issue: March 1, 2016
Review Program: Kirkus Indie
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.
Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.
The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.Pub Date: Oct. 2, 2012
ISBN: 978-1-937007-86-7
Page Count: 432
Publisher: Ace/Berkley
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
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