A tale about the timber industry that is as impressively rich and textured as the landscape it surveys.
Set in a sawmill town in the Pacific Northwest at the turn of the 20th century, this historical novel dramatically charts rising tensions that can only lead to disaster.
“The boom and bust cycle of Everett’s sawdust economy turned the town into a place of incredible extremes,” explains Howard (Both Sides of The Wish, 2013) in his historical note that prefaces this book. In the early 1900s, Everett, Washington, is the locus of the timber industry in the Northwest. Such is the demand for labor that it becomes widely known as a location where an unskilled worker can easily find a job. Wave after wave of newcomers arrive in hopes of securing a wage. As a consequence, the area’s demographics alter radically and rapidly, transforming Everett into a hard-drinking, hard-gambling, volatile town. The author captures this unrest from a variety of perspectives: characters range from the wealthy, conniving mill owner, Luther MacCullock, to the underpaid laborers toiling in the forest. The novel opens with the workers striking and observes the extremes to which MacCullock will go to control his employees. The sense of agitation slowly builds, heightened further by the arrival of the Wobblies, or Industrial Workers of the World, a radical labor union. The engaging novel boasts an ambitiously broad character list, which means that no individual is fully developed. This minor criticism is offset by the author’s enviable descriptive skills that bring Everett to life to the extent that a reader can smell the sweat and sawdust: “With every ax swing they bit deep into the yellow-white wood. Large chips of fir fell to the forest floor as the cool morning air filled their lungs. After four hours the undercut was done, and a breeze picked up. The crowns of the trees rustled and swayed.” Thoroughly researched with a deep understanding of the town and its people, this novel should be a must for anyone interested in the great American boomtowns.
A tale about the timber industry that is as impressively rich and textured as the landscape it surveys.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: CreateSpace
Review Posted Online: Feb. 2, 2016
Kirkus Reviews Issue: March 1, 2016
Review Program: Kirkus Indie
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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