An episodic, anticlimactic case notable mainly for the future Broadway glitz.
In 2036, the poisoning of a beloved actor at a swanky party celebrating his actress wife has Lt. Eve Dallas and Det. Delia Peabody scouting around for those who might not have considered him quite so beloved.
Minutes after giving her champagne cocktail to Brant Fitzhugh to hold while she joins her co-star in an impromptu duet, Eliza Lane—who’s headlining a revival of Upstage, the play that launched her career 25 years ago when Leah Rose’s fatal overdose made her understudy an overnight sensation—is cradling her husband’s body in her lap. Was he the intended victim, or was she—or was the murderer someone like actress Vera Harrow, whom Brant had dropped 10 years ago to marry Eliza and who wouldn’t much have cared which of them she killed? Eve’s suspicions alight first on Ethan Crommell, a fan who became such a dedicated stalker of Eliza that he was confined to an institution from which he’s recently been paroled. He’s followed by Vera, then by Eliza's bestie, thrice divorced Sylvie Bowen, who has ample reason to be jealous of her old friend. But Eve isn’t satisfied that any of them fills the bill, and when she unearths a startling link between the long-deceased Leah Rose and one of the 200 party guests, she’s ready to forget all those other false leads. Fans of detective fiction set in the present day, however, will find Robb’s major plot twist so familiar that they’re more than likely to beat Eve to the solution this time.
An episodic, anticlimactic case notable mainly for the future Broadway glitz.Pub Date: Feb. 7, 2023
ISBN: 9781250284082
Page Count: 384
Publisher: St. Martin's
Review Posted Online: Nov. 15, 2022
Kirkus Reviews Issue: Dec. 1, 2022
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.
After being released from prison, a young woman tries to reconnect with her 5-year-old daughter despite having killed the girl’s father.
Kenna didn’t even know she was pregnant until after she was sent to prison for murdering her boyfriend, Scotty. When her baby girl, Diem, was born, she was forced to give custody to Scotty’s parents. Now that she’s been released, Kenna is intent on getting to know her daughter, but Scotty’s parents won’t give her a chance to tell them what really happened the night their son died. Instead, they file a restraining order preventing Kenna from so much as introducing herself to Diem. Handsome, self-assured Ledger, who was Scotty’s best friend, is another key adult in Diem’s life. He’s helping her grandparents raise her, and he too blames Kenna for Scotty’s death. Even so, there’s something about her that haunts him. Kenna feels the pull, too, and seems to be seeking Ledger out despite his judgmental behavior. As Ledger gets to know Kenna and acknowledges his attraction to her, he begins to wonder if maybe he and Scotty’s parents have judged her unfairly. Even so, Ledger is afraid that if he surrenders to his feelings, Scotty’s parents will kick him out of Diem’s life. As Kenna and Ledger continue to mourn for Scotty, they also grieve the future they cannot have with each other. Told alternatively from Kenna’s and Ledger’s perspectives, the story explores the myriad ways in which snap judgments based on partial information can derail people’s lives. Built on a foundation of death and grief, this story has an undercurrent of sadness. As usual, however, the author has created compelling characters who are magnetic and sympathetic enough to pull readers in. In addition to grief, the novel also deftly explores complex issues such as guilt, self-doubt, redemption, and forgiveness.
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.Pub Date: Jan. 18, 2022
ISBN: 978-1-5420-2560-7
Page Count: 335
Publisher: Montlake Romance
Review Posted Online: Oct. 12, 2021
Kirkus Reviews Issue: Nov. 1, 2021
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
An emotionally acute study of manliness.
Scenes from the life of a well-off but emotionally damaged man.
Szalay’s sixth novel is a study of István, who as a 15-year-old in Hungary is lured into a sexual relationship with a married neighbor; when he has a confrontation with the woman’s husband, the man falls down the stairs and dies. Add in stints in a juvenile facility and as a soldier in Iraq, and István enters his 20s almost completely stunted emotionally. (Saying much besides “Okay” sometimes seems utterly beyond him.) Fueled by id, libido, and street drugs, he seems destined to be a casualty until, while working as a bouncer at a London strip club, he helps rescue the owner of a security firm who’s been assaulted; soon, he’s hired as the driver for a tycoon and his wife, with whom he begins an affair. István is a fascinating character in a kind of negative sense—he’s intriguing for all the ways he fails to confront his trauma, all the missed opportunities to find deeper connections. To that end, Szalay’s prose is emotionally bare, deliberately clipped and declarative, evoking István’s unwillingness (or incapacity) to look inside himself; he occasionally consults with a therapist, but a relentless passivity keeps him from opening up much. His capacity to fail upwards eventually catches up with him, and the novel becomes a more standard story about betrayal and inheritances, but it also turns on small but meaningful moments of heroism that suggest a deeper character than somebody who, as someone suggests, “exemplif[ies] a primitive form of masculinity.” István’s relentlessly stony approach to existence grates at times—there are a few too many “okay”s in the dialogue—but Szalay’s distanced approach has its payoffs. Being closed off, like István, doesn’t close off the world, and at times has tragic consequences.
An emotionally acute study of manliness.Pub Date: April 1, 2025
ISBN: 9781982122799
Page Count: 368
Publisher: Scribner
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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