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ENCORE IN DEATH

An episodic, anticlimactic case notable mainly for the future Broadway glitz.

In 2036, the poisoning of a beloved actor at a swanky party celebrating his actress wife has Lt. Eve Dallas and Det. Delia Peabody scouting around for those who might not have considered him quite so beloved.

Minutes after giving her champagne cocktail to Brant Fitzhugh to hold while she joins her co-star in an impromptu duet, Eliza Lane—who’s headlining a revival of Upstage, the play that launched her career 25 years ago when Leah Rose’s fatal overdose made her understudy an overnight sensation—is cradling her husband’s body in her lap. Was he the intended victim, or was she—or was the murderer someone like actress Vera Harrow, whom Brant had dropped 10 years ago to marry Eliza and who wouldn’t much have cared which of them she killed? Eve’s suspicions alight first on Ethan Crommell, a fan who became such a dedicated stalker of Eliza that he was confined to an institution from which he’s recently been paroled. He’s followed by Vera, then by Eliza's bestie, thrice divorced Sylvie Bowen, who has ample reason to be jealous of her old friend. But Eve isn’t satisfied that any of them fills the bill, and when she unearths a startling link between the long-deceased Leah Rose and one of the 200 party guests, she’s ready to forget all those other false leads. Fans of detective fiction set in the present day, however, will find Robb’s major plot twist so familiar that they’re more than likely to beat Eve to the solution this time.

An episodic, anticlimactic case notable mainly for the future Broadway glitz.

Pub Date: Feb. 7, 2023

ISBN: 9781250284082

Page Count: 384

Publisher: St. Martin's

Review Posted Online: Nov. 15, 2022

Kirkus Reviews Issue: Dec. 1, 2022

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THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

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Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

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FURY IN DEATH

A satisfying thriller that will warm the hearts of fans who already take comfort in hating the forces of evil.

Lt. Eve Dallas’ 63rd futuristic case is less a whodunit than a manhunt for an unusually sympathetic killer.

Thirteen years ago, way back in 2048, scientific genius Steve Redman—father of the Banner-Wyst corporation’s Rainmaker Project—narrowly escaped death in a gas explosion that killed his pregnant wife and infant son and 200 other residents of their New York City apartment building the night before he planned to report his suspicions about the company to the FBI. Now the bill is coming due for Banner-Wyst. The first death to be discovered is that of Lawrence Chu, Redman’s colleague and trusted friend, whose tenure as director of bioengineering science ends when he’s beaten to death. For quite a while, Dallas and her partner, Det. Delia Peabody, know less about this mystery than their readers do. But when Ezra Dent, a consultant to Banner-Wyst who worked with Redman and Chu back in the day, is murdered in exactly the same ferocious way, Dallas and Peabody, with help from Roarke, Dallas’ tech-billionaire husband, promptly put the pieces together and determine who they’re looking for. The search for Redman, who went AWOL from his hospital bed without a trace six years ago, has its own challenges. So does Dallas’ attempt to get cooperation from partners Calvin Banner and Jacob Wyst, who are clearly in the crosshairs of a killer who seems a lot less monstrous than they are. If the breaks in the case are suspiciously convenient in arriving, readers can pride themselves on taking sides against a mega-corporation whose self-avowed ecological saintliness is undermined by its leaders’ underhanded dealing.

A satisfying thriller that will warm the hearts of fans who already take comfort in hating the forces of evil.

Pub Date: Sept. 8, 2026

ISBN: 9781250414564

Page Count: 368

Publisher: St. Martin's

Review Posted Online: May 18, 2026

Kirkus Reviews Issue: June 15, 2026

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