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THE VINE THAT ATE THE SOUTH

Like Nick Cave’s The Death of Bunny Munro or Steve Earle’s I’ll Never Get Out of This World Alive, Wilkes' debut is a rich...

The epic saga of two Kentucky hillbillies in the wicked heart of the American South.

Faulkner and Flannery O’Connor might or might not embrace this backwoods odyssey, but proper Kentuckians Hunter S. Thompson and Johnny Depp would be cackling to beat the devil over this brazen tribute to folklore, tradition, and hillbilly rituals. It’s certainly true that Wilkes (Barn Dances & Jamborees Across Kentucky, 2013) knows this territory, integrating similar imagery into his day job as lead singer of rockabilly band The Legendary Shack Shakers. Here, our unnamed protagonist sets out to discover a storied home where an elderly couple is said to have been eaten by an invasive species of vine. As with any proper voyage, he hopes to win glory and earn back his love, Delilah Vessels, stolen away by cad Stoney Kingston. Playing Sancho Panza to his Don Quixote is Carver Canute: “He’s a cocky Elvis-haired hell-raiser who keeps his pompadour aloft with pork drippin’s, sweat, and a wafting circle of lies.” Armed with supplies and a harmonica from Cracker Barrel, our heroes head up The Old Spur Line, a dark path leading into the woods, where strange encounters await. What’s fascinating is how Wilkes taps into ancient archetypes to transform everyday characters into phantasmagoric figures by wrapping them in Southern euphemisms, counterintuitive contexts, and florid language more at home in a pulpit. Strange noises in the woods could be from a tectonic crack or a “Hell Hole” that serves as a portal to the damned. A moody group of role-players becomes a vampire cult that roams the woods looking for victims. For the narrator, God is simply “the only daddy I know.” For anyone who grew up in the South, it’s an epic of Wagnerian proportions.

Like Nick Cave’s The Death of Bunny Munro or Steve Earle’s I’ll Never Get Out of This World Alive, Wilkes' debut is a rich and heartfelt yarn that resonates as deeply as his music.

Pub Date: March 14, 2017

ISBN: 978-1-937512-55-2

Page Count: 218

Publisher: Two Dollar Radio

Review Posted Online: Dec. 14, 2016

Kirkus Reviews Issue: Jan. 1, 2017

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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RED RISING

From the Red Rising Trilogy series , Vol. 1

A fine novel for those who like to immerse themselves in alternative worlds.

Set in the future and reminiscent of The Hunger Games and Game of Thrones, this novel dramatizes a story of vengeance, warfare and the quest for power.

In the beginning, Darrow, the narrator, works in the mines on Mars, a life of drudgery and subservience. He’s a member of the Reds, an “inferior” class, though he’s happily married to Eo, an incipient rebel who wants to overthrow the existing social order, especially the Golds, who treat the lower-ranking orders cruelly. When Eo leads him to a mildly rebellious act, she’s caught and executed, and Darrow decides to exact vengeance on the perpetrators of this outrage. He’s recruited by a rebel cell and “becomes” a Gold by having painful surgery—he has golden wings grafted on his back—and taking an exam to launch himself into the academy that educates the ruling elite. Although he successfully infiltrates the Golds, he finds the social order is a cruel and confusing mash-up of deception and intrigue. Eventually, he leads one of the “houses” in war games that are all too real and becomes a guerrilla warrior leading a ragtag band of rebelliously minded men and women. Although it takes a while, the reader eventually gets used to the specialized vocabulary of this world, where warriors shoot “pulseFists” and are protected by “recoilArmor.” As with many similar worlds, the warrior culture depicted here has a primitive, even classical, feel to it, especially since the warriors sport names such as Augustus, Cassius, Apollo and Mercury.

A fine novel for those who like to immerse themselves in alternative worlds.

Pub Date: Jan. 28, 2014

ISBN: 978-0-345-53978-6

Page Count: 400

Publisher: Del Rey/Ballantine

Review Posted Online: Nov. 2, 2013

Kirkus Reviews Issue: Nov. 15, 2013

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