A heartfelt if imperfect tribute to one George by another who will also be missed.
The passing of Lonesome George, the last of the saddleback tortoises from the island of Pinta, provides the occasion to demonstrate how different species might descend from a common ancestor.
Swept from her desert home by a storm and washed up on a distant island with some of her relatives, the elderly tortoise’s imagined ancestor, Giantess George, was lucky. She was able to feed in her new home, to breed and to have numerous slightly differing descendants, each group adapted to its particular Galápagos island. The story continues with the arrival of humans, a visit by Charles Darwin and the transport of Giantess George’s last descendent, Lonesome George, to a research center on Santa Cruz Island in the early 1970s. There, he lived out the rest of his life; no one ever found him a mate. When he died in 2012, he was thought to be over 100 years old. Minor’s paintings are gorgeous, befitting the awesome Galápagos scenery and including representative plants and animals. But the posthumously published text oversimplifies. It describes Darwin speculating about the giant tortoises’ common ancestor, but at the time, he didn’t realize they were different species. It condenses the adaptation process. Even the backmatter doesn’t use the phrase “natural selection,” and the very important term “evolution” is defined incorrectly.
A heartfelt if imperfect tribute to one George by another who will also be missed. (key terms, timeline, resources) (Picture book. 5-8)Pub Date: April 8, 2014
ISBN: 978-0-06-028793-1
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: Jan. 28, 2014
Kirkus Reviews Issue: Feb. 15, 2014
Though told by two outsiders to the culture, this timely and well-crafted story will educate readers on the preciousness of...
An international story tackles a serious global issue with Reynolds’ characteristic visual whimsy.
Gie Gie—aka Princess Gie Gie—lives with her parents in Burkina Faso. In her kingdom under “the African sky, so wild and so close,” she can tame wild dogs with her song and make grass sway, but despite grand attempts, she can neither bring the water closer to home nor make it clean. French words such as “maintenant!” (now!) and “maman” (mother) and local color like the karite tree and shea nuts place the story in a French-speaking African country. Every morning, Gie Gie and her mother perch rings of cloth and large clay pots on their heads and walk miles to the nearest well to fetch murky, brown water. The story is inspired by model Georgie Badiel, who founded the Georgie Badiel Foundation to make clean water accessible to West Africans. The details in Reynolds’ expressive illustrations highlight the beauty of the West African landscape and of Princess Gie Gie, with her cornrowed and beaded hair, but will also help readers understand that everyone needs clean water—from the children of Burkina Faso to the children of Flint, Michigan.
Though told by two outsiders to the culture, this timely and well-crafted story will educate readers on the preciousness of potable water. (Picture book. 5-8)Pub Date: Sept. 13, 2016
ISBN: 978-0-399-17258-8
Page Count: 40
Publisher: Putnam
Review Posted Online: May 17, 2016
Kirkus Reviews Issue: June 1, 2016
Hee haw.
The print version of a knee-slapping cumulative ditty.
In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.
Hee haw. (Picture book. 5-7)Pub Date: May 1, 2010
ISBN: 978-0-545-26124-1
Page Count: 26
Publisher: Scholastic
Review Posted Online: Dec. 28, 2018
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