by Jean Craighead George ; illustrated by Wendell Minor ‧ RELEASE DATE: April 8, 2014
A heartfelt if imperfect tribute to one George by another who will also be missed.
The passing of Lonesome George, the last of the saddleback tortoises from the island of Pinta, provides the occasion to demonstrate how different species might descend from a common ancestor.
Swept from her desert home by a storm and washed up on a distant island with some of her relatives, the elderly tortoise’s imagined ancestor, Giantess George, was lucky. She was able to feed in her new home, to breed and to have numerous slightly differing descendants, each group adapted to its particular Galápagos island. The story continues with the arrival of humans, a visit by Charles Darwin and the transport of Giantess George’s last descendent, Lonesome George, to a research center on Santa Cruz Island in the early 1970s. There, he lived out the rest of his life; no one ever found him a mate. When he died in 2012, he was thought to be over 100 years old. Minor’s paintings are gorgeous, befitting the awesome Galápagos scenery and including representative plants and animals. But the posthumously published text oversimplifies. It describes Darwin speculating about the giant tortoises’ common ancestor, but at the time, he didn’t realize they were different species. It condenses the adaptation process. Even the backmatter doesn’t use the phrase “natural selection,” and the very important term “evolution” is defined incorrectly.
A heartfelt if imperfect tribute to one George by another who will also be missed. (key terms, timeline, resources) (Picture book. 5-8)Pub Date: April 8, 2014
ISBN: 978-0-06-028793-1
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: Jan. 28, 2014
Kirkus Reviews Issue: Feb. 15, 2014
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by Jean Craighead George with Luke George & Twig George ; illustrated by Wendell Minor
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by Jean Craighead George ; illustrated by Steve Johnson ; Lou Fancher
by Craig Smith ; illustrated by Katz Cowley ‧ RELEASE DATE: May 1, 2010
Hee haw.
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The print version of a knee-slapping cumulative ditty.
In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.
Hee haw. (Picture book. 5-7)Pub Date: May 1, 2010
ISBN: 978-0-545-26124-1
Page Count: 26
Publisher: Scholastic
Review Posted Online: Dec. 28, 2018
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by Craig Smith ; illustrated by Katz Cowley
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by Doug MacLeod ; illustrated by Craig Smith
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by Mara Lecocq & Nathan Archambault ; illustrated by Jessika von Innerebner ‧ RELEASE DATE: Nov. 6, 2018
Informative, empowering, and fun.
Girl power abounds in this book about coding that introduces young readers to the world of programming while offering them hands-on activities via a companion app.
In this title that was first introduced as a customizable, personalized print-on-demand product, Rox has a superpower. Using code, she programs toy robots that can do things like make broccoli disappear—or mischief. When Dad tells Rox to clean her room, she quickly thinks up a bot that will do it for her, writing code that instructs her bot to use artificial intelligence to sort objects by color and type. Though Rox knows that there’s a high potential for her creation to rebel, the perks outweigh any potential adverse effects. Rox’s robot has her room neat and tidy in no time—and then the entire home. Chorebot’s AI allows it to keep learning, and it seems Chorebot can do no wrong until the robot decides to rearrange the entire city (both buildings and people) by type, style, and gender. Chorebot goes “out of his artificial mind!” Rox must now stop her creation…without the assistance of the internet. The artwork, styled in the tradition of popular superhero series, is peppy and colorful, and it depicts Rox as an adorable black girl donning a black bomber jacket and a pink tutu. A companion app (not available for review) allows readers to create a bot of their own.
Informative, empowering, and fun. (Picture book. 5-8)Pub Date: Nov. 6, 2018
ISBN: 978-1-57687-899-6
Page Count: 40
Publisher: POW!
Review Posted Online: Sept. 1, 2018
Kirkus Reviews Issue: Sept. 15, 2018
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