A heartfelt if imperfect tribute to one George by another who will also be missed.

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GALÁPAGOS GEORGE

The passing of Lonesome George, the last of the saddleback tortoises from the island of Pinta, provides the occasion to demonstrate how different species might descend from a common ancestor.

Swept from her desert home by a storm and washed up on a distant island with some of her relatives, the elderly tortoise’s imagined ancestor, Giantess George, was lucky. She was able to feed in her new home, to breed and to have numerous slightly differing descendants, each group adapted to its particular Galápagos island. The story continues with the arrival of humans, a visit by Charles Darwin and the transport of Giantess George’s last descendent, Lonesome George, to a research center on Santa Cruz Island in the early 1970s. There, he lived out the rest of his life; no one ever found him a mate. When he died in 2012, he was thought to be over 100 years old. Minor’s paintings are gorgeous, befitting the awesome Galápagos scenery and including representative plants and animals. But the posthumously published text oversimplifies. It describes Darwin speculating about the giant tortoises’ common ancestor, but at the time, he didn’t realize they were different species. It condenses the adaptation process. Even the backmatter doesn’t use the phrase “natural selection,” and the very important term “evolution” is defined incorrectly.

A heartfelt if imperfect tribute to one George by another who will also be missed. (key terms, timeline, resources) (Picture book. 5-8)

Pub Date: April 8, 2014

ISBN: 978-0-06-028793-1

Page Count: 40

Publisher: Harper/HarperCollins

Review Posted Online: Jan. 29, 2014

Kirkus Reviews Issue: Feb. 15, 2014

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Perfect for those looking for a scary Halloween tale that won’t leave them with more fears than they started with. Pair with...

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CREEPY PAIR OF UNDERWEAR!

Reynolds and Brown have crafted a Halloween tale that balances a really spooky premise with the hilarity that accompanies any mention of underwear.

Jasper Rabbit needs new underwear. Plain White satisfies him until he spies them: “Creepy underwear! So creepy! So comfy! They were glorious.” The underwear of his dreams is a pair of radioactive-green briefs with a Frankenstein face on the front, the green color standing out all the more due to Brown’s choice to do the entire book in grayscale save for the underwear’s glowing green…and glow they do, as Jasper soon discovers. Despite his “I’m a big rabbit” assertion, that glow creeps him out, so he stuffs them in the hamper and dons Plain White. In the morning, though, he’s wearing green! He goes to increasing lengths to get rid of the glowing menace, but they don’t stay gone. It’s only when Jasper finally admits to himself that maybe he’s not such a big rabbit after all that he thinks of a clever solution to his fear of the dark. Brown’s illustrations keep the backgrounds and details simple so readers focus on Jasper’s every emotion, writ large on his expressive face. And careful observers will note that the underwear’s expression also changes, adding a bit more creep to the tale.

Perfect for those looking for a scary Halloween tale that won’t leave them with more fears than they started with. Pair with Dr. Seuss’ tale of animate, empty pants. (Picture book. 5-8)

Pub Date: Aug. 22, 2017

ISBN: 978-1-4424-0298-0

Page Count: 48

Publisher: Simon & Schuster

Review Posted Online: July 15, 2017

Kirkus Reviews Issue: Aug. 1, 2017

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THE WONKY DONKEY

The print version of a knee-slapping cumulative ditty.

In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.

Hee haw. (Picture book. 5-7)

Pub Date: May 1, 2010

ISBN: 978-0-545-26124-1

Page Count: 26

Publisher: Scholastic

Review Posted Online: Dec. 29, 2018

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