Next book

GOING TO THE SUN

Though Jean George has always had her ups and downs, it's hard to believe that the author of Julie of the Wolves could produce this pulpy drivel. As always, her descriptions of the wildlife and terrain in question convinces you that she knows it well, and the ecological story is up to her everyday standard: Marcus, seventeen and gung ho to shoot Old Gore, king of the mountain goats, is hired through his hunter father to study the goats and confirm Errington's law of compensation (that for every prey animal killed another lives to replace it); during his summer in the mountains, Marcus comes reluctantly to believe that the law does not apply and the goats must be protected. But George's problem is with the personal relationships, especially those between Marcus and Melissa Morgan—Melissa, whose family has long feuded with his, whose brother Will falls to his death in a fight with Marcus early in the novel, who herself secretly becomes Marcus' wife at fifteen. (The couple have been in love since first sighting each other when she was in fifth grade and he in seventh.) It is really Melissa, of the golden-red curls, supple body and joyful cries, who organizes the goat study and pursues the evidence against Errington's law—but when Marcus goes after Old Gore with a gun because a local Blackfoot has temporarily convinced him that Will's spirit is trapped in the goat and can only be freed by death, a shocked Melissa leaves their tent home and allows her father to annul their marriage. George's gushy, clichéd prose makes this read even worse than it sounds; it's clear that she derives more inspiration from Romulus and Remus than from Romeo and Juliet.

Pub Date: April 1, 1976

ISBN: N/A

Page Count: -

Publisher: Harper & Row

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: April 1, 1976

Next book

HOW TO CATCH THE EASTER BUNNY

From the How To Catch… series

This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers.

The bestselling series (How to Catch an Elf, 2016, etc.) about capturing mythical creatures continues with a story about various ways to catch the Easter Bunny as it makes its annual deliveries.

The bunny narrates its own story in rhyming text, beginning with an introduction at its office in a manufacturing facility that creates Easter eggs and candy. The rabbit then abruptly takes off on its delivery route with a tiny basket of eggs strapped to its back, immediately encountering a trap with carrots and a box propped up with a stick. The narrative focuses on how the Easter Bunny avoids increasingly complex traps set up to catch him with no explanation as to who has set the traps or why. These traps include an underground tunnel, a fluorescent dance floor with a hidden pit of carrots, a robot bunny, pirates on an island, and a cannon that shoots candy fish, as well as some sort of locked, hazardous site with radiation danger. Readers of previous books in the series will understand the premise, but others will be confused by the rabbit’s frenetic escapades. Cartoon-style illustrations have a 1960s vibe, with a slightly scary, bow-tied bunny with chartreuse eyes and a glowing palette of neon shades that shout for attention.

This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers. (Picture book. 4-7)

Pub Date: Feb. 1, 2017

ISBN: 978-1-4926-3817-9

Page Count: 40

Publisher: Sourcebooks Jabberwocky

Review Posted Online: Jan. 16, 2017

Kirkus Reviews Issue: Feb. 1, 2017

Next book

SOMEBUNNY LOVES YOU

From the Punderland series

<p>Perfectly fine but nothing new.</p>

Caregiver-child love abounds in this rhyming board book full of animal puns.

One thing’s for certain, there’s plenty of sweet (and groanworthy) sentiments in this book. Rossner writes, “Giving HOGS and kisses / sends me to the moon!” and, “I’m such a lucky DUCK. / You really QUACK me up!” The book progresses entirely in this fashion, with a new animal pair and pun with each page turn. It reads well as a book for a caregiver to share with a lap-sitting child. On that mark, it succeeds in providing plenty of opportunities for giggles and snuggles. That said, at times the meter is forced, making the cadence a bit stilted, and the cuddles/bubbles rhyme is a dubious one. This is an issue for a book that will almost solely be read aloud. Gibson’s illustrations are very charming; the animals and insects with big eyes and expressive faces have high appeal. The warmth of the animals’ embraces and cuddles translates well from the page, inviting the same snuggles from readers. Decorated eggs appear on each page, and the bunny pair from the cover features prominently. Overall, the concept and message of the book are high interest and age-appropriate, but it doesn’t stand out from the very crowded shelf of “I love you, little one!” books similar to it.

<p>Perfectly fine but nothing new.</p> (Board book. 6 mos.-2)

Pub Date: Feb. 2, 2021

ISBN: 978-1-7282-2343-8

Page Count: 25

Publisher: Sourcebooks Wonderland

Review Posted Online: May 18, 2021

Kirkus Reviews Issue: June 15, 2021

Close Quickview