by Jean Delumeau ‧ RELEASE DATE: June 1, 1995
A vividly detailed account of how Western society interpreted and was influenced by the biblical story of the expulsion from the Garden of Eden, by a French cultural critic and historian (Sin and Fear, not reviewed). Early Christianity tended to see Paradise in largely allegorical terms and characterize it as a place of ``rest'' where the just awaited the final judgment and their entrance into Heaven itself. As this idea waned, the Garden of Eden became conflated with Greco-Roman descriptions of a past Golden Age or a mythical earthly paradise of perpetual bliss that many thought still existed in some inaccessible region. (Adam's sin was deemed especially heinous in comparison with the blessings with which he had been surrounded.) The dream of discovering this place of delights inspired such fantasies as Sir John Mandeville's Travels and the legends of Prester John, which in turn led to the explorations of Columbus in the New World and, in Europe, to a renewed interest in gardens and the study of botany. With the advent of the Age of Reason and the discovery of fossils proving that the earth was much older than bibilical history stated, the literal interpretation of the Paradise story gradually fell out of favor, and a more symbolic view of the Garden of Eden again became necessary. Delumeau's text is a work of enormous scholarship, richly illustrated with 25 medieval maps and many quotations from primary sources throughout the centuries, and it is published here in a fine English translation. The author concludes by suggesting that the only acceptable Christian theology of Paradise today is that of second- century writers, who do not assign ``an excessive guilt to the stammering human race that first came on the scene.'' Scholarship happily combines with intuition in this stimulating analysis of a powerful idea.
Pub Date: June 1, 1995
ISBN: 0-8264-0795-1
Page Count: 288
Publisher: Continuum
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1995
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by Timothy Paul Jones ‧ RELEASE DATE: Sept. 1, 2005
Worthwhile reference stuffed with facts and illustrations.
A compendium of charts, time lines, lists and illustrations to accompany study of the Bible.
This visually appealing resource provides a wide array of illustrative and textually concise references, beginning with three sets of charts covering the Bible as a whole, the Old Testament and the New Testament. These charts cover such topics as biblical weights and measures, feasts and holidays and the 12 disciples. Most of the charts use a variety of illustrative techniques to convey lessons and provide visual interest. A worthwhile example is “How We Got the Bible,” which provides a time line of translation history, comparisons of canons among faiths and portraits of important figures in biblical translation, such as Jerome and John Wycliffe. The book then presents a section of maps, followed by diagrams to conceptualize such structures as Noah’s Ark and Solomon’s Temple. Finally, a section on Christianity, cults and other religions describes key aspects of history and doctrine for certain Christian sects and other faith traditions. Overall, the authors take a traditionalist, conservative approach. For instance, they list Moses as the author of the Pentateuch (the first five books of the Hebrew Bible) without making mention of claims to the contrary. When comparing various Christian sects and world religions, the emphasis is on doctrine and orthodox theology. Some chapters, however, may not completely align with the needs of Catholic and Orthodox churches. But the authors’ leanings are muted enough and do not detract from the work’s usefulness. As a resource, it’s well organized, inviting and visually stimulating. Even the most seasoned reader will learn something while browsing.
Worthwhile reference stuffed with facts and illustrations.Pub Date: Sept. 1, 2005
ISBN: 978-1-5963-6022-8
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
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by Albert Camus ‧ RELEASE DATE: Sept. 26, 1955
This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.
Pub Date: Sept. 26, 1955
ISBN: 0679733736
Page Count: 228
Publisher: Knopf
Review Posted Online: Sept. 19, 2011
Kirkus Reviews Issue: Sept. 1, 1955
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