Next book

OF SOUND MIND

Theo’s problems are both unusual and ordinary, as the only hearing child in a family otherwise deaf, and as the child of a parent who selfishly forgets who is the adult. Many oldest children may have the martyr syndrome going, but few with the resounding excuses of an artistically gifted deaf mother who relies on Theo for interpretation in her interactions with the world at large, a deaf brother who depends on Theo to be a parent, and a deaf father who quietly fills in the gaps, but refuses to rein in his wife. Flashy and gorgeous Ivy shows up at the bus stop and catches Theo signing swear words to himself. As the two discover elements in common and romance commences, they also find themselves unwilling to accept the other’s point of view about past and future choices. His father’s stroke heightens the pressure on Theo, forcing him to confront his own role. Ferris indicates speaking in sign with a boldface type and translates into English grammar to smooth the reader’s way. Great sensitivity is shown to the deaf culture and yet Theo’s position as the hearing one in his family is seen ultimately as both burden and gift. The core issue explored is the strain on a child whose parent is unwilling to parent, with deafness exacerbating the situation. Ivy’s hearing mother has abandoned her to her deaf father, and so there is a contrast in circumstances and personality that provides conflict in addition to the events that unfold. Told from Theo’s point of view, there is an unusual psychological richness that intrigues and keeps the somewhat stock characters from falling completely into cliché. A quiet story that resonates. (Fiction. 12+)

Pub Date: Sept. 24, 2001

ISBN: 0-374-35580-0

Page Count: 224

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 2001

Next book

IF ONLY I HAD TOLD HER

A heavy read about the harsh realities of tragedy and their effects on those left behind.

In this companion novel to 2013’s If He Had Been With Me, three characters tell their sides of the story.

Finn’s narrative starts three days before his death. He explores the progress of his unrequited love for best friend Autumn up until the day he finally expresses his feelings. Finn’s story ends with his tragic death, which leaves his close friends devastated, unmoored, and uncertain how to go on. Jack’s section follows, offering a heartbreaking look at what it’s like to live with grief. Jack works to overcome the anger he feels toward Sylvie, the girlfriend Finn was breaking up with when he died, and Autumn, the girl he was preparing to build his life around (but whom Jack believed wasn’t good enough for Finn). But when Jack sees how Autumn’s grief matches his own, it changes their understanding of one another. Autumn’s chapters trace her life without Finn as readers follow her struggles with mental health and balancing love and loss. Those who have read the earlier book will better connect with and feel for these characters, particularly since they’ll have a more well-rounded impression of Finn. The pain and anger is well written, and the novel highlights the most troublesome aspects of young adulthood: overconfidence sprinkled with heavy insecurities, fear-fueled decisions, bad communication, and brash judgments. Characters are cued white.

A heavy read about the harsh realities of tragedy and their effects on those left behind. (author’s note, content warning) (Fiction. 14-18)

Pub Date: Feb. 6, 2024

ISBN: 9781728276229

Page Count: 416

Publisher: Sourcebooks Fire

Review Posted Online: Jan. 5, 2024

Kirkus Reviews Issue: Feb. 1, 2024

Next book

IF HE HAD BEEN WITH ME

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.

The finely drawn characters capture readers’ attention in this debut.

Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.   (Fiction. 14 & up)

Pub Date: April 1, 2013

ISBN: 978-1-4022-7782-5

Page Count: 336

Publisher: Sourcebooks Fire

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: March 1, 2013

Close Quickview