More of Bannalec’s winning formula: a healthy chunk of Brittany with a bracing dash of murder.
From the oyster farms of Port Belon, Commissaire Georges Dupin (The Missing Corpse, 2019, etc.) pushes north to probe the mysterious deaths of two women near the bay of Douarnenez.
Douarnenez is a fishing town where small family-owned boats jockey with large trawlers, all competing to wrest a living from the unpredictable Atlantic. Céline Kerkrom was a line fisher, one of the few women to own her own boat. She lived alone and kept to herself. So why would someone slit her throat and dump her body in a container of fish guts in the harbor’s auction hall? Harbormistress Gaétane Gochat is appalled, not so much by the violence of the murder as by the disruption it causes to the fish hall. Dupin, on the other hand, doesn’t mind rattling a few cages along the way to finding Céline’s murderer. He confronts Charles Morin, owner of a large fleet of deep-sea trawlers as well as some coastal boats, who’s rumored to take in more than the legal limit. He also chases down a local character known as Captain Vaillant, who’s reputed to be a pirate. But more murders lead Dupin and inspectors Riwal and Kadeg to wonder if the origin of the crime really is local, since the second victim, Laetitia Darot, was an outsider, a researcher who studied the dolphins in the Parc Iroise. As usual, Dupin’s drive to catch the killer quickly is balanced by his desire to enjoy the local cafes and the breathtaking Breton coast just a little bit longer. And as usual, justice triumphs.
More of Bannalec’s winning formula: a healthy chunk of Brittany with a bracing dash of murder.Pub Date: Feb. 4, 2020
ISBN: 978-1-250-17338-6
Page Count: 368
Publisher: Minotaur
Review Posted Online: Nov. 9, 2019
Kirkus Reviews Issue: Dec. 1, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
As usual, Patterson (Cradle and All, p. 262, etc.) provides a nonstop alternation of felonies and righteous retribution...
Who’s robbing all those banks and kidnapping all those people and killing all those accomplices? It’s somebody calling himself the Mastermind—a comic-book sobriquet that represents everything that’s wrong with the latest installment in Patterson’s Alex Cross franchise.
A young woman robs a bank in suburban Maryland and threatens to kill the manager’s family if she’s kept from meeting her timetable. She’s less than a minute late out the door, so the family dies. So does the robber. So do all the staff at a second bank after somebody tips the police off. Who could possibly be so ruthless? It’s the Mastermind, the evil genius who set up both robberies intending murder from the beginning—even warning the cops the second time. And robbing banks is only the beginning for the megalomaniac, who’s plotting a group abduction worth $30 million and a series of maneuvers that’ll feed his cat’s-paws to the police, or to the fishes. And since the Mastermind likes to see families suffer, he vows to take the war of nerves right to forensic psychologist Cross. But if he wants to ruin the D.C. detective’s life, he’ll have to stand in line, since Cross’s girlfriend Christine Johnson is pulling away from him and his daughter Jannie is suddenly having seizures. Despite his prowess with guns and fists, and his awesome insight into other people’s minds, Cross would be desperate if it weren’t for the timely embraces of FBI agent Betsey Cavalierre, to whom he’ll make passionate love while telling her, “I like being with you. A lot. Even more than I expected.” With an adversary like that, how can the Mastermind prevail?
As usual, Patterson (Cradle and All, p. 262, etc.) provides a nonstop alternation of felonies and righteous retribution unclouded by texture, thought, or moral complexity, to produce the speediest tosh on the planet.Pub Date: Nov. 20, 2000
ISBN: 0-316-69325-1
Page Count: 400
Publisher: Little, Brown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2000
Rowling proves once again that she’s a master of plotting over the course of a series; you can see her planting seeds,...
In her second pseudonymous outing as Galbraith, J.K. Rowling continues her examination of fame—those who want it, those who avoid it, those who profit from it.
Cormoran Strike, Rowling’s hard-living private eye, isn’t as close to the edge as he was in his first appearance, The Cuckoo’s Calling (2013). His success at proving supermodel Lula Landry was murdered has brought him more clients than he can handle—mostly businessmen who think their lovers are straying and divorcing wives looking for their husbands’ assets—and he’s even rented a small apartment above his office near Charing Cross Road. His accidental temp–turned-assistant, Robin Ellacott, is dying to stretch her investigative muscles, but she has to deal with her fiance, Matthew, who still wishes she’d taken that better-paying job in human resources. Then odd sad-sack Leonora Quine comes in asking Strike to find her missing husband, Owen, a fading enfant terrible novelist. Strike soon discovers that Owen had written a baroque fantasy novel in which he exposed the secrets of everyone he knows—including his editor, publisher and a famous writer with whom he had a falling out years earlier—and his agent had just sent it out for consideration. Rowling has great fun with the book industry: Editors, agents and publishers all want to meet the detective, but only over lunches at fancy restaurants where he’s expected to foot the bill. It’s no big surprise when Strike finds the writer’s dead body—though it’s certainly gruesome, as someone killed him in the same extravagantly macabre way he disposed of the villain of his unpublished book. As Strike tries to figure out who murdered Owen, the writer is splashed across the front pages of the tabloids in a way he would have loved when he was alive, while the detective tries to play down his own growing fame.
Rowling proves once again that she’s a master of plotting over the course of a series; you can see her planting seeds, especially when it comes to Robin, which can be expected to bear narrative fruit down the line. It will be a pleasure to watch what happens.Pub Date: June 19, 2014
ISBN: 978-0-316-20687-7
Page Count: 464
Publisher: Mulholland Books/Little, Brown
Review Posted Online: June 15, 2014
Kirkus Reviews Issue: July 1, 2014
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