The book ends on a cliffhanger worthy of Harry Potter, and Rowling’s readers will eagerly await the next installment.



From the The Cormoran Strike Novels series , Vol. 3

J.K. Rowling continues her investigation of the dark side—this time giving us three gruesomely twisted suspects—in her latest pseudonymous mystery.

Robin Ellacott first showed up at hard-living private eye Cormoran Strike’s office as a temp, but by the end of their second big case (The Silkworm, 2014), she’d become indispensable as a fellow investigator. As this third book opens, she’s arriving at work off Charing Cross Road and accepts a package from a deliveryman, thinking it’s a shipment of favors for her upcoming wedding to Matthew, the jealous fiance who disapproves of her job. When she opens it, though, she’s horrified to find a woman’s leg. Someone seems to be using Robin to get to her boss, who's missing a leg himself, having lost it in an explosion in Afghanistan. Strike can think of four men, right off the top of his head, who would be capable of such a horrific thing: the stepfather he thinks killed his mother with a heroin overdose; a famous mobster; and two sick bastards he tangled with when he was an Army investigator. The police immediately go after the mobster, who, on second thought, Strike finds an unlikely culprit—so he and Robin set to work tracking down the other three. Rowling is, as always, an unflinching chronicler of evil, interspersing chapters told from the perspective of the carefully unnamed perpetrator—a serial killer with a penchant for keeping “souvenirs” from his victims’ bodies and an unhealthy obsession with Strike—as he follows Robin around London, waiting for her to get distracted just long enough for him to kill her, too. Robin and Strike’s relationship continues to be the best part of the series, though perhaps it’s too easy to dislike Matthew; readers will be cheering when Robin breaks off their engagement, but of course it won’t be that easy to get rid of him. The story has its longueurs, and if Galbraith weren’t actually Rowling, an editor might have told him to trim a bit, especially once Strike and Robin close in on their three suspects and start conducting repetitive stakeouts (and especially since the two who aren’t Strike’s former stepfather are hard to keep straight).

The book ends on a cliffhanger worthy of Harry Potter, and Rowling’s readers will eagerly await the next installment.

Pub Date: Oct. 20, 2015

ISBN: 978-0-316-34993-2

Page Count: 512

Publisher: Mulholland Books/Little, Brown

Review Posted Online: Oct. 17, 2015

Kirkus Reviews Issue: Nov. 1, 2015

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With humor and insight, Straub creates a family worth rooting for.


When Astrid Strick witnesses a school bus run over a longtime acquaintance of hers—Barbara Baker, a woman she doesn't like very much—it's only the beginning of the shake-ups to come in her life and the lives of those she loves.

Astrid has been tootling along contentedly in the Hudson Valley town of Clapham, New York, a 68-year-old widow with three grown children. After many years of singlehood since her husband died, she's been quietly seeing Birdie Gonzalez, her hairdresser, for the past two years, and after Barbara's death she determines to tell her children about the relationship: "There was no time to waste, not in this life. There were always more school buses." Elliot, her oldest, who's in real estate, lives in Clapham with his wife, Wendy, who's Chinese American, and their twins toddlers, Aidan and Zachary, who are "such hellions that only a fool would willingly ask for more." Astrid's daughter, Porter, owns a nearby farm producing artisanal goat cheese and has just gotten pregnant through a sperm bank while having an affair with her married high school boyfriend. Nicky, the youngest Strick, is disconcertingly famous for having appeared in an era-defining movie when he was younger and now lives in Brooklyn with his French wife, Juliette, and their daughter, Cecelia, who's being shipped up to live with Astrid for a while after her friend got mixed up with a pedophile she met online. As always, Straub (Modern Lovers, 2016, etc.) draws her characters warmly, making them appealing in their self-centeredness and generosity, their insecurity and hope. The cast is realistically diverse, though in most ways it's fairly superficial; the fact that Birdie is Latina or Porter's obstetrician is African American doesn't have much impact on the story or their characters. Cecelia's new friend, August, wants to make the transition to Robin; that storyline gets more attention, with the two middle schoolers supporting each other through challenging times. The Stricks worry about work, money, sex, and gossip; Straub has a sharp eye for her characters' foibles and the details of their liberal, upper-middle-class milieu.

With humor and insight, Straub creates a family worth rooting for.

Pub Date: May 5, 2020

ISBN: 978-1-59463-469-7

Page Count: 368

Publisher: Riverhead

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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A daring concept not so daringly developed.


In Kidd’s (The Invention of Wings, 2014, etc.) feminist take on the New Testament, Jesus has a wife whose fondest longing is to write.

Ana is the daughter of Matthias, head scribe to Herod Antipas, tetrarch of Galilee. She demonstrates an exceptional aptitude for writing, and Matthias, for a time, indulges her with reed pens, papyri, and other 16 C.E. office supplies. Her mother disapproves, but her aunt, Yaltha, mentors Ana in the ways of the enlightened women of Alexandria, from whence Yaltha, suspected of murdering her brutal husband, was exiled years before. Yaltha was also forced to give up her daughter, Chaya, for adoption. As Ana reaches puberty, parental tolerance of her nonconformity wanes, outweighed by the imperative to marry her off. Her adopted brother, Judas—yes, that Judas—is soon disowned for his nonconformity—plotting against Antipas. On the very day Ana, age 14, meets her prospective betrothed, the repellent Nathanial, in the town market, she also encounters Jesus, a young tradesman, to whom she’s instantly drawn. Their connection deepens after she encounters Jesus in the cave where she is concealing her writings about oppressed women. When Nathanial dies after his betrothal to Ana but before their marriage, Ana is shunned for insufficiently mourning him—and after refusing to become Antipas’ concubine, she is about to be stoned until Jesus defuses the situation with that famous admonition. She marries Jesus and moves into his widowed mother’s humble compound in Nazareth, accompanied by Yaltha. There, poverty, not sexism, prohibits her from continuing her writing—office supplies are expensive. Kidd skirts the issue of miracles, portraying Jesus as a fully human and, for the period, accepting husband—after a stillbirth, he condones Ana’s practice of herbal birth control. A structural problem is posed when Jesus’ active ministry begins—what will Ana’s role be? Problem avoided when, notified by Judas that Antipas is seeking her arrest, she and Yaltha journey to Alexandria in search of Chaya. In addition to depriving her of the opportunity to write the first and only contemporaneous gospel, removing Ana from the main action destroys the novel’s momentum.

A daring concept not so daringly developed.

Pub Date: April 21, 2020

ISBN: 978-0-525-42976-0

Page Count: 432

Publisher: Viking

Review Posted Online: Jan. 27, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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