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WITNESS TO MY LIFE

THE LETTERS OF JEAN-PAUL SARTRE TO SIMONE DE BEAUVOIR, 1926-1939

Only three months after Simone de Beauvoir's Letters to Sartre appeared in English, we now have a fine translation of the other side of this rightfully legendary correspondence. These letters were edited by the elderly Beauvoir and published in France in 1983. They offer an intimate side of Sartre as he reports on his life and thought to Beauvoir during their first 13 passionate years. And sharpening the picture of their relationship are a number of letters to other women. In 1929, then-student Sartre writes to Simone Jolivet that he has the "ambition to create" and also an "enthusiasm" for certain works that drives him to write. In 22 pages dispatched in 1936 from Naples, the tourist Sartre encircles the reader in that decaying city of "epidemics and fascism," where "chance is master." The incendiary intensity of the Sartre/Beauvoir relationship rises from the almost daily love letters of 1939, when to Beauvoir (mostly in Paris) Sartre writes from a meteorological unit in Alsace about the "phantom war." He hears distant gunfire, and Hitler speaking over a neighboring radio. He discusses the war and the moral and philosophical preoccupations he is putting into The Age of Reason and his journals. "Each consciousness encompasses within itself the infinite to the extent that it transcends itself," he writes on Oct. 11, 1939. Love letters to Louise Vedrine (summer 1939) and frank accounts to Beauvoir of his liaisons make the young women in their circle seem like sounding boards for physical and emotional experience. And Sartre is convincing in his claim to Beauvoir that "everything I think or feel or write is for you....Even my novel and my journal, which other people will eventually sec, are first for you, and only through you for others." Extraordinary in so many ways, Sartre's 1924-39 letters illuminate his evolving thought and his groundbreaking relationship with Beauvoir—perhaps at its finest in their exchange of written words.

Pub Date: May 1, 1992

ISBN: 0-684-19338-8

Page Count: 432

Publisher: Scribner

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 1992

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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