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THE EMOTIONS

An ambitious chronicle of political and marital ambiguity.

An intellectual muses on personal and global unrest.

Jean Detrez, the narrator of Belgian author Toussaint’s novel (in Polizzotti’s translation from French), has a lot on his mind. When the novel begins, it’s 2016—specifically, the time around the Brexit vote on June 23. Jean’s marriage to a woman named Diane is also coming to an end. A few months later, flipping through his phone, Jean comes across a racy photograph of a woman, prompting him to think about the futurology retreat where it was taken. It’s through his reactions to fellow participants at that event that we learn more about Jean, who works for the European Commission; he's alienated less by the snobbery than by “the casual familiarity” with which one attendee discussed prominent politicians. At the retreat, he meets an Estonian woman named Enid, with whom he has a brief emotional affair. Jean then muses on the aftermath of his father’s death later that same year, which leads to him considering his ties to his brother and wondering if his father’s death corresponds to the end of an era—giving way to a time “in which excess, slander, and mendacity had taken over the public forum, in which respect for the facts no longer had the inviolate character it had always enjoyed in the past.” There’s also the matter of his strained relationship with Diane and his warmer relationship with his first wife, Elisabetta, whose existence doesn’t come up until two-thirds of the way into the book. Jean is thoughtful in places, with a couple of moving invocations of Stefan Zweig's life, but it gradually becomes clear that his professional success doesn’t necessarily translate into an ideal personal or marital life. Toussaint has written a subtle but bracing exploration of his protagonist’s perceptions and failings.

An ambitious chronicle of political and marital ambiguity.

Pub Date: today

ISBN: 9781635422160

Page Count: 240

Publisher: Other Press

Review Posted Online: Oct. 10, 2025

Kirkus Reviews Issue: Nov. 15, 2025

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MONA'S EYES

A pleasant if not entirely convincing tribute to the power of art.

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A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.

One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.

A pleasant if not entirely convincing tribute to the power of art.

Pub Date: Aug. 26, 2025

ISBN: 9798889661115

Page Count: 432

Publisher: Europa Editions

Review Posted Online: June 7, 2025

Kirkus Reviews Issue: July 15, 2025

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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