A beautifully crafted, uplifting meditation on the inner, personal dimensions of hope.
A self-styled “children’s book for adults” about finding contentment in the world.
Weill’s big, ornately produced debut opens with an elementary restatement of the core philosophical outlook of 18th-century Italian Jewish mystic Ramchal (Rabbi Moshe Chaim Luzzatto) about the essential oneness of all creation and how existence is a constant journey to re-attain the oneness of creation’s beginning. In bright, simple watercolors (one image per page, with plenty of white space), Weill follows a central visual character—a man in a suit and hat whose face is a blur—through a series of vignettes, some purely conceptual (walking up a graph of life events partitioned like a piece of modern art), others very concrete (waiting at train stations, sitting at the seaside, etc.), while the narrative—generally one line per illustration—elaborates on Weill’s concept of how individuals find peace through introspection: “Well-being is generated not from the outside but from inside.” Each of the illustrations suggests a separate tale, and this fits neatly with Weill’s idea that each person’s life journey is essentially a collection of such tales. “We organize our circumstances into stories,” he writes, “stories we pick up along the way.” Through darker imagery (including one image of Auschwitz and another of the 9/11 attack), the author references life’s obstacles, and Weill contends that all such obstacles can be overcome with inner resources: “When we lose touch with well-being, joy seems to depend on circumstances, on what happens outside of us.” Introspection continues to be the key: “When we become aware of our own thinking,” he writes, “we awaken.” The book’s simplicity of insight is well-matched by its impressive production quality; the pages are thick and heavy, meant to convey the impression of timeless wisdom. As with most modern books on such weighty themes, Weill’s narration more often than not resorts to vague generalities to move its lessons forward. Readers may feel encouraged to read their own life experiences into these stark images, using Weill’s paintings like spiritual Rorschach blots. What wisdom or reassurance they draw from such an exercise will depend on what they put into it.
A beautifully crafted, uplifting meditation on the inner, personal dimensions of hope.Pub Date: Oct. 1, 2013
ISBN: 978-0985800307
Page Count: 216
Publisher: Jean-Pierre Weill Studios
Review Posted Online: Aug. 23, 2013
Kirkus Reviews Issue: Oct. 1, 2013
Review Program: Kirkus Indie
BOOK REVIEW
A short, simple, and sweet tale about two friends and a horse.
A novel tells the story of two spirited girls who set out to save a lame foal in 1952.
Mary, age 12, lacks muscle control of her legs and must use a wheelchair. Her life is constantly interrupted by trips with her widower father to assorted doctors, all of whom have failed to help her. Mary tolerates the treatments, hoping to one day walk unassisted, but her true passion involves horses. Possessing a library filled with horse books, she loves watching and drawing the animals at a neighboring farm. She longs to own one herself. But her father, overprotective due to her disability and his own lingering grief over Mary’s dead mother, makes her keep her distance. Mary befriends Laura, the emotionally neglected daughter of the wealthy neighboring farm owners, and the two share secret buggy rides. Both girls are attracted to Illusion, a beautiful red bay filly on the farm. Mary learns that Illusion is to be put down by a veterinarian because of a lame leg. Horrified, she decides to talk to the barn manager about the horse (“Isn’t it okay for her to live even if she’s not perfect? I think she deserves a chance”). Soon, Mary and Laura attempt to raise money to save Illusion. At the same time, Mary begins to gain control of her legs thanks to water therapy and secret therapeutic riding with Laura. There is indeed a great deal of poignancy in a story of a girl with a disability fighting to defend the intrinsic value of a lame animal. But this book, the first installment of the Dream Horse Adventure Series, would be twice as touching if Mary interacted with Illusion more. In the tale’s opening, she watches the foal from afar, but she actually spends very little time with the filly she tries so hard to protect. This turns out to be a strange development given the degree to which the narrative relies on her devotion. Count (Selah’s Sweet Dream, 2015) draws Mary and Laura in broad but believable strokes, defined mainly by their unrelenting pluckiness in the face of adversity. While the work tackles disability, death, and grief, Mary’s and Laura’s environments are so idyllic and their optimism and perseverance so remarkable that the story retains an aura of uncomplicated gentleness throughout.
A short, simple, and sweet tale about two friends and a horse.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: Hastings Creations Group
Review Posted Online: Oct. 15, 2016
Review Program: Kirkus Indie
Therapeutic, moving verse from a promising new talent.
Keridan’s poetry testifies to the pain of love and loss—and to the possibility of healing in the aftermath.
The literary critic Geoffrey Hartman once wrote that literature—and poetry, in particular—can help us “read the wound” of trauma. That is, it can allow one to express and explain one’s deepest hurts when everyday language fails. Keridan appears to have a similar understanding of poetry. She writes in “Foreword,” the opening work of her debut collection, that “pain frequently uses words as an escape route / (oh, how I know).” Many words—and a great deal of pain—escape in this volume, but the result is healing: “the ending is happy / the beginning was horrific / so let’s start there.” The book, then, tracks the process of recovery in the wake of suffering, and often, this suffering is brought on by romantic relationships gone wrong. An early untitled poem opens, “I die a little / taking pieces of me to feed the fire / that keeps him warm / you don’t notice that it’s a slow death / when you’re disappearing little by little.” The author’s imagery here—of the self fueling the dying fire of love—is simultaneously subtle and wrenching. But the poem’s message, amplified elsewhere in the book, is clear: We go wrong if we destructively give ourselves over to others, and healing comes only when we turn our energies back to our own good. Later poems, therefore, reveal that self-definition often equals strength. The process is painful but salutary; when “you’re left unprotected / surrounded by chaos with nothing you / can depend on / except yourself / and that’s when you gather the pieces / of the life you lost / and use them to build the life you want.” The “life you want” is an elusive goal, and the author knows that the path to self-definition is fraught with peril—but her collection may give strength to those who walk it.
Therapeutic, moving verse from a promising new talent.Pub Date: Nov. 2, 2018
ISBN: 978-1-72770-538-6
Page Count: 196
Publisher: CreateSpace
Review Posted Online: Jan. 9, 2019
Kirkus Reviews Issue: Feb. 15, 2019
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
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