Maybe these kids should try babysitting Santa.

HOW TO CATCH SANTA

From the How To... series

The creators of the bestselling How to Babysit a Grandpa (2012) and How to Babysit a Grandma (2014) continue their series with this story about a brother and sister who want to capture Santa on his annual visit to their home.

The children discuss improbable ideas for spotting or catching Santa, including a complicated sequence with notes to lure Santa up to their bedroom. They wait up for Santa, and a nighttime view of Santa and the reindeer on the neighborhood’s roofs makes his arrival seem imminent. Then, in a disappointing conclusion, the children fall asleep with no sign of Santa’s arrival. In the morning it’s clear Santa has been there, as the presents are under the tree and the cookies and carrots have been eaten. There is a trail of red glitter leading to the chimney from the letter the kids sent to Santa, but that’s the only surprise this story has to offer. Readers might be expecting some sort of exciting trap for Santa or some clever way the children get to meet him or ride in his sleigh. No…just a sprinkle of red glitter. Digitally produced illustration are bright and cheery, with cute kids and amusing details, but sharp-eyed readers will notice the decorated Christmas tree in the living room is inexplicably placed in four different locations on different pages.

Maybe these kids should try babysitting Santa. (Picture book. 4-7)

Pub Date: Oct. 20, 2015

ISBN: 978-0-553-49839-4

Page Count: 32

Publisher: Knopf

Review Posted Online: Aug. 12, 2015

Kirkus Reviews Issue: Sept. 1, 2015

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As ephemeral as a valentine.

LOVE FROM THE CRAYONS

Daywalt and Jeffers’ wandering crayons explore love.

Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.

As ephemeral as a valentine. (Picture book. 4-6)

Pub Date: Dec. 24, 2019

ISBN: 978-1-5247-9268-8

Page Count: 32

Publisher: Penguin Workshop

Review Posted Online: Feb. 2, 2021

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ALWAYS MORE LOVE

An interactive book works to get its titular message across to readers.

The narrator, an anthropomorphic cartoon heart with big eyes and stick arms and legs, is nothing if not exuberant in its attempts, clumsy and cloying as they may be. “I love you so much, / but there’s more in my heart. / How is that possible? / Well, where do I start? // Now move in close, and you will see / just how much you mean to me. // My love is huge—below, above. / As you can tell, there’s always more love!” The page following the instruction to move in shows a close-up of the top of the heart and its eyes, one stick arm pointing skyward, though despite the admonition “you can tell,” readers will glean nothing about love from this picture. À la Hervé Tullet, the book prompts readers to act, but the instructions can sometimes be confusing (see above) and are largely irrelevant to the following spread, supposedly triggered by the suggested actions. The heart, suddenly supplied with a painter’s palette and a beret and surrounded by blobs of color, instructs readers to “Shake the book to see what I can be.” The page turn reveals hearts of all different colors, one rainbow-striped, and then different shapes. Most troublingly, the heart, who is clearly meant to be a stand-in for loved ones, states, “I’m always here for you,” which for too many children is heartbreakingly not true.

Skip. (Picture book. 4-7)

Pub Date: Jan. 1, 2020

ISBN: 978-1-7282-1376-7

Page Count: 40

Publisher: Sourcebooks Jabberwocky

Review Posted Online: Oct. 13, 2019

Kirkus Reviews Issue: Nov. 1, 2019

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