Winter (Beatrix, above, etc.) communicates her abiding interest in Mexican culture with this wonderfully atmospheric, all-dialogue tale of a child who leads a ritual chase in his village’s annual Fiesta of the Tigre (jaguar). His parents bid him wait until he’s older, but so great is little Niño’s determination to participate in the upcoming festival that he cuts, carves, and paints a wooden dog’s mask with minimal adult help. Evoking Mexican folk art, both with characteristic motifs and saturated colors, Winter follows her young artist as he discovers the animal “hidden” within his rough block. He dons the finished mask, chases the costumed “tigre” through fields and village streets, then trips it up at last, earning both general acclaim from fellow villagers, and a guarantee of good crops for the coming year. The hand-lettered text, placed in balloons, is sprinkled with Spanish (superfluously translated at the end), and Winter depicts more masks and costumes in a closing gallery. Children of any cultural background will enjoy this glimpse of Niño’s world, and understand the profound pleasure he takes in creating art. (Picture book. 6-9)
Pub Date: March 1, 2003
ISBN: 0-8037-2807-7
Page Count: 40
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2002
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Miranda’s book counts the monsters gathering at a birthday party, while a simple rhyming text keeps the tally and surveys the action: “Seven starved monsters are licking the dishes./Eight blow out candles and make birthday wishes.” The counting proceeds to ten, then by tens to fifty, then gradually returns to one, which makes the monster’s mother, a purple pin-headed octopus, very happy. The book is surprisingly effective due to Powell’s artwork; the color has texture and density, as if it were poured onto the page, but the real attention-getter is the singularity of every monster attendee. They are highly individual and, therefore, eminently countable. As the numbers start crawling upward, it is both fun and a challenge to try to recognize monsters who have appeared in previous pages, or to attempt to stay focused when counting the swirling or bunched creatures. The story has glints of humor, and in combination with the illustrations is a grand addition to the counting shelf. (Picture book. 3-8)
Pub Date: Aug. 1, 1999
ISBN: 0-15-201835-2
Page Count: 32
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1999
The leaves have changed, Thanksgiving nears—and the canny turkeys of Squawk Valley have decamped, leaving local residents to face the prospect of a birdless holiday. What to do? They decide to lure a bird back by appealing to its vanity, placing a want ad for a model to help sculptors creating turkey art, then “inviting” the bird to dinner. The ploy works, too, for out of the woods struts plump and perky Pete to take on the job. Shelly debuts with brightly hued cartoon scenes featuring pop-eyed country folk and deceptively silly-looking gobblers. Pete may be vain, but he hasn’t lost the wiliness of his wild ancestors; when the townsfolk come for him, he hides amidst a flock of sculpted gobblers—“There were turkeys made of spuds, / there were turkeys made of rope. / There were turkeys made of paper, / there were turkeys made of soap. / The room was full of turkeys / in a wall to wall collage. / For a clever bird like Pete / it was perfect camouflage.” He makes his escape, and is last seen lounging on a turkey-filled tropical beach as the disappointed Squawk Valleyites gather round the table for a main course of . . . shredded wheat. Good for a few giggles. (Picture book. 6-8)
Pub Date: Sept. 1, 2001
ISBN: 1-890817-91-0
Page Count: 40
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2001
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