A compact but cogent tribute to a single voice for change that now leads a rising chorus.

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OUR HOUSE IS ON FIRE

GRETA THUNBERG'S CALL TO SAVE THE PLANET

The origin story of the teenage climate change superhero.

Once, as she puts it, “the invisible girl in the back who doesn’t say anything,” Thunberg has, over just the last two years, become a major young presence in the environmental movement, inspiring “Friday school strikes” worldwide and challenging governing bodies to get off the stick: “I want you to panic,” she told the World Economic Forum in Davos. “I want you to act as if the house was on fire. Because it is.” Skipping Thunberg’s personal history aside from characterizing her as one who “could think about one thing for a long, long time” (an ability Thunberg associates with her Asperger’s diagnosis, unnamed here), Winter pithily retraces the course of her transformation. She begins with a teacher’s lecture on climate change and a period of intense reading and video watching and then goes on to show how Thunberg’s lonely Friday picket outside Stockholm’s Parliament building gains local, then international, support. The illustrations, equally spare, often place the white teenager front and center before culminating in a double-page spread filled with children of diverse hues and styles of dress holding up signs reading “Don’t Burn MY Future” and like urgent messages, followed by a direct question in big, cut-out letters: “WHAT WILL YOU DO?” As one sign puts it, “There Is No Planet B” for any of us.

A compact but cogent tribute to a single voice for change that now leads a rising chorus. (source notes) (Picture book/biography. 6-9)

Pub Date: Sept. 24, 2019

ISBN: 978-1-5344-6778-1

Page Count: 40

Publisher: Beach Lane/Simon & Schuster

Review Posted Online: Sept. 24, 2019

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It’s nothing new in territory or angle, but it’s still a serviceable survey with reasonably durable moving parts.

THE ULTIMATE BOOK OF PLANET EARTH

Flaps, pull tabs, and pop-ups large and small enhance views of our planet’s inside, outside, atmosphere, biosphere, and geophysics.

It’s a hefty, high-speed tour through Earth’s features, climates, and natural resources, with compressed surveys of special topics on multileveled flaps and a spread on the history of life that is extended by a double-foldout wing. But even when teeming with small images of land forms, wildlife, or diverse groups of children and adults, Balicevic’s bright cartoon illustrations look relatively uncrowded. Although the quality of the paper engineering is uneven, the special effects add dramatic set pieces: Readers need to hold in place a humongous column of cumulonimbus clouds for it to reach its full extension; a volcano erupts in a gratifyingly large scale; and, on the plate-tectonics spread, a pull tab gives readers the opportunity to run the Indian Plate into the Eurasian one and see the Himalayas bulge up. A final spread showing resources, mostly renewable ones, being tapped ends with an appeal to protect “our only home.” All in all, it’s a likely alternative to Dougal Jerram’s Utterly Amazing Earth, illustrated by Dan Crisp and Molly Lattin (2017), being broader in scope and a bit more generous in its level of detail.

It’s nothing new in territory or angle, but it’s still a serviceable survey with reasonably durable moving parts. (Informational novelty. 6-9)

Pub Date: Aug. 27, 2019

ISBN: 979-1-02760-562-0

Page Count: 18

Publisher: Twirl/Chronicle

Review Posted Online: July 24, 2019

Kirkus Reviews Issue: Aug. 15, 2019

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A good overview of this complex, essential organ, with an energetic seasoning of silliness.

THE BRAIN IS KIND OF A BIG DEAL

An introduction to the lead guitar and vocalist for the Brainiacs—the human brain.

The brain (familiar to readers of Seluk’s “The Awkward Yeti” webcomic, which spun off the adult title Heart and Brain, 2015) looks like a dodgeball with arms and legs—pinkish, sturdy, and roundish, with a pair of square-framed spectacles bestowing an air of importance and hipness. Other organs of the body—tongue, lungs, stomach, muscle, and heart—are featured as members of the brain’s rock band (the verso of the dust jacket is a poster of the band). Seluk’s breezy, conversational prose and brightly colored, boldly outlined cartoon illustrations deliver basic information. The brain’s role in keeping the heart beating and other automatic functions, directing body movements, interpreting sights and sounds, remembering smells and tastes, and regulating sleep and hunger are all explained, prose augmented by dialogue balloons and information sidebars. Seluk points out, importantly, that feelings originate in the brain: “You can control how you react…but your feelings happen no matter what.” The parodied album covers on the front endpapers (including the Beatles, Pink Floyd, Green Day, Run DMC, Queen, Nirvana) will amuse parents—or at least grandparents—and the rear endpapers serve up band members’ clever social media and texting screenshots. Backmatter includes a glossary and further brain trivia but no resources or bibliography.

A good overview of this complex, essential organ, with an energetic seasoning of silliness. (Informational picture book. 6-8)

Pub Date: Oct. 1, 2019

ISBN: 978-1-338-16700-9

Page Count: 40

Publisher: Orchard/Scholastic

Review Posted Online: June 23, 2019

Kirkus Reviews Issue: July 15, 2019

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