Uneven, but worth reading for its intimate look at a little-known community.
Pavees, or travelers, are a distinctive Irish sub-culture which Cummins celebrates in this uneven first novel, following her memoir A Rip in Heaven (2004).
They criss-cross Ireland in their wagons, mending pots and pans (hence the derogatory “tinkers”) and doing farm work, though by 1959, when the novel is set, the work is drying up. We see them through the eyes of 11-year-old Christy Hurley, a lively kid but one racked by guilt, because his mam died in childbirth and he feels he killed her, despite the protestations of his well-meaning father. Christy’s role model is his Grandda; he has a fond memory of helping Stephen, as capable as any vet, birth two foals for a desperate farmer. They kept the sickly one; now the colt Jack is Christy’s best friend. Grandda has just died as the novel opens; according to Pavee custom, his wagon and possessions must be burned. Christy grabs a newspaper photo from the flames, sensing its significance, though he can’t figure out the man, woman and baby it depicts, and he has another preoccupation: school. His first time. Though he loves reading, he’s stuck in with the third graders, but the staff are friendly; there’s even a sweet, mothering nun, a welcome change from the usual ruler-wielding harpy. Cummins does a fine job showing us Pavee culture: the joy of the open road, the fear of houses (they induce claustrophobia), the dutiful Catholicism, the need for mooching (panhandling) and occasional petty theft. But the coming-of-age narrative is weak. Christy does some sleuthing and discovers he’s the baby in that photograph; his mother never died in childbirth. That was a lie, his shame-faced father explains, at great length. What follows is a frantic moonlit ride, bullets, blood and a torrent of tears as Christy learns about the “dream-poison of love.” It’s all over-the-top, a far cry from the powerful realism of that barnyard birthing.
Uneven, but worth reading for its intimate look at a little-known community.Pub Date: June 1, 2010
ISBN: 978-0-451-22948-9
Page Count: 384
Publisher: NAL/Berkley
Review Posted Online: March 1, 2011
Kirkus Reviews Issue: April 15, 2010
A quick-witted and ultimately hopeful look at what it takes to make a marriage last.
A couple decides to save their relationship by attempting an open marriage.
Jessica and Mitch Butler have a happy marriage. Well, happy enough. Married for years with two children, it’s inevitable that they won’t feel the swells of passion every day, right? But when their three best couple friends get divorced around the same time, Jessica and Mitch start to reevaluate things. They thought their friends’ marriages were fine, but something tore them all apart. And, naturally, Jessica and Mitch start to wonder if the same thing could happen to them. So, to stave off the divorce that now seems inevitable, they try something dramatic: an open marriage. More specifically, an “evolved” marriage, one that allows each of them to have sex with other people, with several rules in place (no repeats, no one they know, etc.). Jessica immediately hits it off with a young, sexy bartender who sweeps her off her feet, but Mitch has more trouble connecting with women. And both of them realize, with help from their divorced friends, that dating is a lot different now that apps are on the scene. Although Jessica and Mitch’s plan may be a bit out of the box, their relationship and feelings are believable. Norman (We’re All Damaged, 2016, etc.) also creates a plethora of rounded, quirky side characters, including Jessica’s teenage therapy patient Scarlett and Mitch’s nerdy student Luke. When all of those characters come together in the story’s climax, the result is a scene worthy of a Shakespearean comedy.
A quick-witted and ultimately hopeful look at what it takes to make a marriage last.Pub Date: March 17, 2020
ISBN: 978-1-984821-06-5
Page Count: 288
Publisher: Ballantine
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
BOOK REVIEW
BOOK REVIEW
A romance for readers looking for equal parts passion and family drama.
A violinist tries to ignore the attraction she feels toward her sister’s ex-husband.
Years earlier, India Robidoux suppressed her feelings of attraction toward her sister Elaina’s on-again, off-again boyfriend, Travis Strickland. India and Travis shared an incendiary kiss on the night of her 22nd birthday while he and Elaina were on a break. India hoped it would be her chance with Travis, but she was devastated when Travis instead proposed to her sister two weeks later. Unable to cope with her feelings, India fled and spent the next six years in Europe playing violin with an international orchestra. India finally returns home to Jackson Falls, North Carolina, intending only a brief stopover before an audition with the Los Angeles Philharmonic, but she’s immediately pulled into the family orbit to support her brother’s Senate campaign. The romance between India and Travis is on the back burner as Williams (His Pick for Passion, 2019, etc.) introduces the Robidoux family and many substantive but soapy subplots, most of which center on the machinations of India’s father, Grant. As the CEO of Robidoux Tobacco, Grant has meddled in his children’s lives to shore up the respectability of the family and the company. India loves her father but is determined not to let him decide her fate. As she and Travis reconnect, they find it impossible to ignore their simmering attraction. Travis is less hesitant about his feelings for India, not willing to make the mistake of letting her go again. Even though the romance gets off to a slow start, this is a pleasingly angst-y novel about forbidden lovers finding each other.
A romance for readers looking for equal parts passion and family drama.Pub Date: Jan. 25, 2020
ISBN: 978-1-335-01324-8
Page Count: 352
Publisher: Harlequin HQN
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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