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THE OUTSIDE BOY

Uneven, but worth reading for its intimate look at a little-known community.

Pavees, or travelers, are a distinctive Irish sub-culture which Cummins celebrates in this uneven first novel, following her memoir A Rip in Heaven (2004).

They criss-cross Ireland in their wagons, mending pots and pans (hence the derogatory “tinkers”) and doing farm work, though by 1959, when the novel is set, the work is drying up. We see them through the eyes of 11-year-old Christy Hurley, a lively kid but one racked by guilt, because his mam died in childbirth and he feels he killed her, despite the protestations of his well-meaning father. Christy’s role model is his Grandda; he has a fond memory of helping Stephen, as capable as any vet, birth two foals for a desperate farmer. They kept the sickly one; now the colt Jack is Christy’s best friend. Grandda has just died as the novel opens; according to Pavee custom, his wagon and possessions must be burned. Christy grabs a newspaper photo from the flames, sensing its significance, though he can’t figure out the man, woman and baby it depicts, and he has another preoccupation: school. His first time. Though he loves reading, he’s stuck in with the third graders, but the staff are friendly; there’s even a sweet, mothering nun, a welcome change from the usual ruler-wielding harpy. Cummins does a fine job showing us Pavee culture: the joy of the open road, the fear of houses (they induce claustrophobia), the dutiful Catholicism, the need for mooching (panhandling) and occasional petty theft. But the coming-of-age narrative is weak. Christy does some sleuthing and discovers he’s the baby in that photograph; his mother never died in childbirth. That was a lie, his shame-faced father explains, at great length. What follows is a frantic moonlit ride, bullets, blood and a torrent of tears as Christy learns about the “dream-poison of love.” It’s all over-the-top, a far cry from the powerful realism of that barnyard birthing.

Uneven, but worth reading for its intimate look at a little-known community.

Pub Date: June 1, 2010

ISBN: 978-0-451-22948-9

Page Count: 384

Publisher: NAL/Berkley

Review Posted Online: March 1, 2011

Kirkus Reviews Issue: April 15, 2010

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TRUE COLORS

Above-average formula fiction, making full display of the author’s strong suits: sense of place, compassion for characters...

Female rivalry is again the main preoccupation of Hannah’s latest Pacific Northwest sob saga (Firefly Lane, 2008, etc.).

At Water’s Edge, the family seat overlooking Hood Canal, Vivi Ann, youngest and prettiest of the Grey sisters and a champion horsewoman, has persuaded embittered patriarch Henry to turn the tumbledown ranch into a Western-style equestrian arena. Eldest sister Winona, a respected lawyer in the nearby village of Oyster Shores, hires taciturn ranch hand Dallas Raintree, a half-Native American. Middle sister Aurora, stay-at-home mother of twins, languishes in a dull marriage. Winona, overweight since adolescence, envies Vivi, whose looks get her everything she wants, especially men. Indeed, Winona’s childhood crush Luke recently proposed to Vivi. Despite Aurora’s urging (her principal role is as sisterly referee), Winona won’t tell Vivi she loves Luke. Yearning for Dallas, Vivi stands up Luke to fall into bed with the enigmatic, tattooed cowboy. Winona snitches to Luke: engagement off. Vivi marries Dallas over Henry’s objections. The love-match triumphs, and Dallas, though scarred by child abuse, is an exemplary father to son Noah. One Christmas Eve, the town floozy is raped and murdered. An eyewitness and forensic evidence incriminate Dallas. Winona refuses to represent him, consigning him to the inept services of a public defender. After a guilty verdict, he’s sentenced to life without parole. A decade later, Winona has reached an uneasy truce with Vivi, who’s still pining for Dallas. Noah is a sullen teen, Aurora a brittle but resigned divorcée. Noah learns about the Seattle Innocence Project. Could modern DNA testing methods exonerate Dallas? Will Aunt Winona redeem herself by reopening the case? The outcome, while predictable, is achieved with more suspense and less sentimental histrionics than usual for Hannah.

Above-average formula fiction, making full display of the author’s strong suits: sense of place, compassion for characters and understanding of family dynamics.

Pub Date: Feb. 9, 2009

ISBN: 978-0-312-36410-6

Page Count: 400

Publisher: St. Martin's

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Oct. 15, 2008

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LITTLE FAITH

The novelist loves this land and these characters, with their enduring values amid a way of life that seems to be dying.

A heartland novel that evokes the possibility of everyday miracles.

The third novel by Wisconsin author Butler (Beneath the Bonfire, 2015, etc.) shows that he knows this terrain inside out, in terms of tone and theme as well as geography. Nothing much happens in this small town in western Wisconsin, not far from the river that serves as the border with Minnesota, which attracts some tourism in the summer but otherwise seems to exist outside of time. The seasons change, but any other changes are probably for the worse—local businesses can’t survive the competition of big-box stores, local kids move elsewhere when they grow up, local churches see their congregations dwindle. Sixty-five-year-old Lyle Hovde and his wife, Peg, have lived here all their lives; they were married in the same church where he was baptized and where he’s sure his funeral will be. His friends have been friends since boyhood; he had the same job at an appliance store where he fixed what they sold until the store closed. Then he retired, or semiretired, as he found a new routine as the only employee at an apple orchard, where the aging owners are less concerned with making money than with being good stewards of the Earth. The novel is like a favorite flannel shirt, relaxed and comfortable, well-crafted even as it deals with issues of life and death, faith and doubt that Lyle somehow takes in stride. He and Peg lost their only child when he was just a few months old, a tragedy which shook his faith even as he maintained his rituals. He and Peg subsequently adopted a baby daughter, Shiloh, through what might seem in retrospect like a miracle (it certainly didn’t seem to involve any of the complications and paperwork that adoptions typically involve). Shiloh was a rebellious child who left as soon as she could and has now returned home with her 5-year-old son, Isaac. Grandparenting gives Lyle another chance to experience what he missed with his own son, yet drama ensues when Shiloh falls for a charismatic evangelist who might be a cult leader (and he’s a stranger to these parts, so he can’t be much good). Though the plot builds toward a dramatic climax, it ends with more of a quiet epiphany.

The novelist loves this land and these characters, with their enduring values amid a way of life that seems to be dying.

Pub Date: March 5, 2019

ISBN: 978-0-06-246971-7

Page Count: 336

Publisher: Ecco/HarperCollins

Review Posted Online: Dec. 10, 2018

Kirkus Reviews Issue: Jan. 1, 2019

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