Entertaining and endearing, Farewell’s new novel is a well-tailored fit for fans of women-centered mysteries and books about...
A winsome, suspenseful New England novel.
In the quaint Massachusetts village of Petawket, narrator Beth Beavers is not living the life of her dreams. Frumpy, unassertive and still unhappily unmarried in her late 30s, Farewell’s (Old Rye, 2009, etc.) protagonist finds no solace in the company of her mean-spirited co-worker at the local church, and she can’t find distraction from the recent death of her mother with whom she lived. But a budding friendship with beautiful local dressmaker Kate Cullen, who lives and works out of the old lighthouse in town, gets Beth thinking that she might not be condemned to wither away in Petawket after all, especially after Kate decides to open a store in Boston and hires Beth to work there. In addition to a sisterly camaraderie, the two women also share the pain of grief—Kate’s husband, Albert, was lost at sea nearly a year ago. Of course, there’s a hitch in this Hitchcock-ian tale of trust and betrayal: In the first chapter, Beth discovers some rather incriminating evidence about the circumstances surrounding Albert’s death. Even so, Beth struggles with whether or not the kind young woman who’s taken an almost philanthropic interest in her could be capable of murder. Their friendship is made even more fraught by Beth’s obsessive jealousy of Kate, whose talent, charm and impeccable appearance she constantly comments upon. And when Kate begins dating the former high school classmate Beth’s spent years pining for, Beth’s resentment only continues to grow—until she’s faced with a difficult decision and some demons of her own. Funny, pathetic and sympathetic in equal parts, Beth Beavers is an exceptional narrator, and even when Farewell’s lucid prose now and then veers toward cliché (“hungry as a bear,” etc.), it’s easily absorbed into Beth’s clear and well-developed voice. The narrative builds to a climactic confrontation scene that is perfectly executed, but the book loses its guiding light after that, with a resolution much neater and simpler than the rest of the story.
Entertaining and endearing, Farewell’s new novel is a well-tailored fit for fans of women-centered mysteries and books about female friendship.Pub Date: Aug. 2, 2012
ISBN: 978-0977850938
Page Count: 270
Publisher: Puddingdale Press
Review Posted Online: Jan. 9, 2013
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
A little too much going on, but still manages to be tight and sharp-witted.
Two private investigators take on a homicidal illusionist, but what the detectives don’t know about each other is just as dangerous as the magician’s man-eating tigers.
After solving one of the most complicated and high-profile murders in Hollywood history, ex-cops Maureen O’Brien and Blake Ervansky set out to turn good press into big money for their new detective agency. They are soon approached by Cerise Marginata, an aging pop star whose husband, Josef Lucasz, was just mauled by one of the Bengal tigers he performed with nightly in a Las Vegas magic show. Cerise believes the attack was orchestrated by the other half of Josef’s act, his “mentor,” Landon Wilke, who has more reasons than just professional jealousy to want his partner dead. But if trying to outwit a master of misdirection’s circuitous murder plot wasn’t hard enough, Maureen’s dubious past as a CIA assassin also rears its ugly head, threatening to leave Blake and the agency out in the cold. Kelly (Winged, 2011, etc.) and Lyons (Murder in One Take, 2012) return to their distinctive brand of mystery starring the LA-based duo who combine traditional investigation with the Hollywood perspective of Maureen’s TV-producer father. Darker than its predecessor, this installment doesn’t sacrifice the humor or turns of phrase that were the hallmarks of the first. Rather, those things appear here again, tighter and more polished, and the novel as a whole boasts a deftness with language that outpaces its rather pulpy story. Those unfamiliar with the first book can easily pick up this one, as the authors offer succinct recaps, and there’s plenty of insight into almost all of the characters, recurring and not, with point-of-view shifts utilized in effective though jarring ways. This entry in the series even feels too far removed at times, as much of the bonding between Blake and Maureen seems (at least initially) ignored. That aside, the characters fall easily into place with each other and the overly complex plot; the biggest criticism to be leveled is that the book tries to do too much. The revelations about Maureen’s CIA past, along with how her father ties in, could have easily been a novel unto itself, but instead, it shares an already crowded focus with an equally sensationalistic tale of killer stage tigers.
A little too much going on, but still manages to be tight and sharp-witted.Pub Date: April 18, 2012
ISBN: 978-0615645346
Page Count: 400
Publisher: Flight Risk Books
Review Posted Online: July 6, 2012
Review Program: Kirkus Indie
BOOK REVIEW
A darkly sweet paranormal fairy tale about rediscovering life after death.
A young girl adjusts to big life changes in Amie Borst and Bethanie Borst’s (Snow Fright, 2016, etc.) charming middle-grade novel with images by debut illustrator Hercka.
Middle school can be rough, but 12-year-old Cindy is having a particularly difficult time. Before her witch mother dies, she casts a spell on her daughter that causes her to transform into a skeleton every evening at sundown. Her father is horrified by his daughter’s nighttime appearance, and Cindy feels more alone than ever—until she discovers the perks of her nightly metamorphosis. With the help of a fairy godmother and a few other supernatural creatures, Cindy realizes she can journey into the Underworld and visit her mom while the surface world slumbers. Her nightly excursions give her solace, especially after her father brings home a new wife and her two unpleasant daughters. Soon, Cindy’s annoyance with her stepmother and her bizarre chore lists outweighs her grief. She also has a crush on Ethan McCallister, a boy at school who might be interested in her, as well. With the middle school dance coming up, Cindy finds herself torn between the land of the living and the world of the dead. The author’s supernatural twist on a classic fairy tale is unexpected and enjoyable. Hercka’s accompanying illustrations evoke filmmaker Tim Burton’s work, such as in The Nightmare Before Christmas. Cindy is a chatty and likable narrator who frequently provides narrative asides (under “Time Out!” captions) that will tickle young readers’ funny bones. Yet underneath the humor and the camp, the story has heart. It poignantly presents a family’s struggle to adjust to the passing of a loved one, and it offers subtle insights into parenting, presented from a middle school perspective: “How do parents always know where we are, even when we don’t want them to?”
A darkly sweet paranormal fairy tale about rediscovering life after death.Pub Date: May 8, 2018
ISBN: 978-1-948882-01-9
Page Count: 266
Publisher: Mystery Goose Press
Review Posted Online: June 14, 2018
Kirkus Reviews Issue: July 15, 2018
Review Program: Kirkus Indie
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
