A visually striking account of godwit migration—pair it with Sandra Markle's similar but more concrete The Long, Long...
Baker (Mirror, 2010, etc.) turns her eye to a story that parallels the migration of the godwit with a white, wheelchair-using child who wishes for flight.
As the child bird-watches from the shore of a nature reserve, the text narrates the growth and eventual nine-day migration of a godwit and his flock. The author's soothing prose conveys the spirit rather than the specifics of this marathon migration; the copyright page refers readers to three websites for more information, but the points of the birds' route—Alaska and New Zealand—are not mentioned in the text, though they are implied in the illustrations. As the godwits “follow an ancient, invisible pathway," bold, textured collage illustrations give a sweeping bird’s-eye view of the world below, from sprawling cities to the slightest footprint in the sand. "The places they remember are gone," but eventually they circle back to the nature reserve, "where mud and sand become sea," where the same child is now chasing a Dalmatian, and underarm crutches lie nearby. In the final illustration, the child, spread-eagled on a bed, imagines soaring with a flock of godwits. The child's condition is unexplained, leaving the child's "flight" open to interpretation. Is it about gaining the ability to walk, or is it about a journey like the godwit's—experiencing transformation over time?
A visually striking account of godwit migration—pair it with Sandra Markle's similar but more concrete The Long, Long Journey (2013), illustrated by Mia Posada. (Picture book. 4-9)Pub Date: May 10, 2016
ISBN: 978-0-7636-7966-8
Page Count: 48
Publisher: Candlewick
Review Posted Online: March 1, 2016
Kirkus Reviews Issue: March 15, 2016
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Though told by two outsiders to the culture, this timely and well-crafted story will educate readers on the preciousness of...
An international story tackles a serious global issue with Reynolds’ characteristic visual whimsy.
Gie Gie—aka Princess Gie Gie—lives with her parents in Burkina Faso. In her kingdom under “the African sky, so wild and so close,” she can tame wild dogs with her song and make grass sway, but despite grand attempts, she can neither bring the water closer to home nor make it clean. French words such as “maintenant!” (now!) and “maman” (mother) and local color like the karite tree and shea nuts place the story in a French-speaking African country. Every morning, Gie Gie and her mother perch rings of cloth and large clay pots on their heads and walk miles to the nearest well to fetch murky, brown water. The story is inspired by model Georgie Badiel, who founded the Georgie Badiel Foundation to make clean water accessible to West Africans. The details in Reynolds’ expressive illustrations highlight the beauty of the West African landscape and of Princess Gie Gie, with her cornrowed and beaded hair, but will also help readers understand that everyone needs clean water—from the children of Burkina Faso to the children of Flint, Michigan.
Though told by two outsiders to the culture, this timely and well-crafted story will educate readers on the preciousness of potable water. (Picture book. 5-8)Pub Date: Sept. 13, 2016
ISBN: 978-0-399-17258-8
Page Count: 40
Publisher: Putnam
Review Posted Online: May 17, 2016
Kirkus Reviews Issue: June 1, 2016
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