A deep connection between friends blossoms after winter.
Adin and Dina live on a fruit farm, blonde, white Dina “at the top of the hill” and black-haired, brown-skinned Adin, whose mother works picking fruit, “at the bottom.” So close that each “knew what the other one was thinking,” they share a love of cherries, climbing into the trees to eat the fruit and saving the pits to plant around the village. Te Loo’s gouache-and-pen illustrations are gentle, filled with greens and yellows that are echoed in the village and, later, more subtly, in the city Adin and his mother move to. Each double-page spread shows a world that is wide yet comfortably familiar. When Adin and his mother leave, the sense of loss is conveyed simply. Dina presents Adin with a farewell bag of cherry pits, “self-picked and self-spat out.” When she visits him in the city Dina is momentarily without words seeing Adin, hair combed, in “smart new clothes.” But Adin has been tossing cherry pits from his apartment balcony and shows Dina how he’s found a way to send the seeds even farther via paper plane. When spring arrives the cherry trees seem to light a path between the two friends. Aerts’ story, translated from the Dutch, resonates honestly and clearly with reassurance that friendship can weather changes and bridge distances.
Memorable and visually rich. (Picture book. 3-7)