A daunting but worthwhile journey through the material and divine realms of our universe.
An intriguing if sometimes ponderous examination of man's place in the universe.
Bartow creates a systematic philosophic framework for integrating concepts from diverse disciplines, such as astrology, psychology, metaphysics, theology, eastern and western mysticism and quantum physics. The author uses complex–and often unintelligible–diagrams to create a visual representation of the corporeal and spiritual universe, building layers of complexity that illustrate the dynamic interaction of mind, matter, energy and spirituality. He divides man’s perception of the universe into objective and subjective categories with distinctive subcategories, using piano keys as the primary metaphor–the black keys represent the objective planes, embodied in the concrete laws of science, and the white keys represent the subjective interior planes. The author makes frequent use of the philosophies from such ancient traditions as the Kabbalah, Buddhism, the teachings of Don Juan and Tibetan thought. The massive scope of Bartow’s vision eventually becomes overwhelming, and the esoteric nature of the study will deter casual readers. Ultimately, however, the text will prove thought-provoking and rewarding for the diligent.
A daunting but worthwhile journey through the material and divine realms of our universe.Pub Date: N/A
ISBN: 0-9760863-0-1
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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