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Wind Catcher: A Chosen Novel

A CHOSEN NOVEL

Sharp writing and realistic characters triumph over a timeworn theme.

In this first novel by a father-and-daughter team, a Native American girl must accept her special gifts in order to fight an evil that threatens the human race.

One of the paradoxes of the teenage years is that just when kids are encouraged to be individuals, all they really want to do is fit in with the rest of the crowd. That’s the problem faced by Native American teenager Juliet Wildfire Stone. She gets little help from her largely absent, workaholic single mother, or her mystical grandfather, Sicheii, who communicates better with the wind than with his granddaughter. Things become infinitely more complicated when a series of murders appear to lead back to Sicheii. He soon tells her that she’s a being called the Chosen, who must save the human race from a terrible fate. As a result, a reluctant Juliet must jettison the idea of normalcy and accept her destiny before dark forces can triumph. This is an enjoyable read for all ages that goes by as fast as the authors can unspool it, without needless subplot detours. The teenage characters’ realism stands out, quite possibly because of the younger Altabef’s input. Juliet and her friends talk as real-life teens would (“Want to cut today? It’s too sunny to go to school”), and readers never get the sense that an author is forcing the teens’ words and actions. The character of Sicheii, meanwhile, often references wind and sky spirits and talks in riddles, but his mysticism is critical to the story, so readers will forgive his oddities. The story is also shot through with wry humor; for example, Juliet got her middle name because a wildfire was in the news when she was born, and she’s grateful that it wasn’t a garbage strike, instead. Although the book does rely upon the hoary plot device of a “chosen one,” the writing’s freshness overcomes the clichéd plot. It shouldn’t stop readers from trimming their sails and letting the story blow them away.

Sharp writing and realistic characters triumph over a timeworn theme.

Pub Date: March 23, 2015

ISBN: N/A

Page Count: -

Publisher: Evolved Publishing

Review Posted Online: Feb. 20, 2015

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HANSEL AND GRETEL

Menacing and most likely to appeal to established fans of its co-creators.

Existing artwork from an artistic giant inspires a fairy-tale reimagination by a master of the horror genre.

In King’s interpretation of a classic Brothers Grimm story, which accompanies set and costume designs that the late Sendak created for a 1997 production of Engelbert Humperdinck’s opera, siblings Hansel and Gretel survive abandonment in the woods and an evil witch’s plot to gobble them up before finding their “happily ever after” alongside their father. Prose with the reassuring cadence of an old-timey tale, paired with Sendak’s instantly recognizable artwork, will lull readers before capitalizing on these creators’ knack for injecting darkness into seemingly safe spaces. Gaping faces loom in crevices of rocks and trees, and a gloomy palette of muted greens and ocher amplify the story’s foreboding tone, while King never sugarcoats the peach-skinned children’s peril. Branches with “clutching fingers” hide “the awful enchanted house” of a “child-stealing witch,” all portrayed in an eclectic mix of spot and full-bleed images. Featuring insults that might strike some as harsh (“idiot,” “fool”), the lengthy, dense text may try young readers’ patience, and the often overwhelmingly ominous mood feels more pitched to adults—particularly those familiar with King and Sendak—but an introduction acknowledges grandparents as a likely audience, and nostalgia may prompt leniency over an occasional disconnect between words and art.

Menacing and most likely to appeal to established fans of its co-creators. (Picture book. 4-8)

Pub Date: Sept. 2, 2025

ISBN: 9780062644695

Page Count: 48

Publisher: Harper/HarperCollins

Review Posted Online: Aug. 15, 2025

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WRECKING BALL

From the Diary of a Wimpy Kid series , Vol. 14

Readers can still rely on this series to bring laughs.

The Heffley family’s house undergoes a disastrous attempt at home improvement.

When Great Aunt Reba dies, she leaves some money to the family. Greg’s mom calls a family meeting to determine what to do with their share, proposing home improvements and then overruling the family’s cartoonish wish lists and instead pushing for an addition to the kitchen. Before bringing in the construction crew, the Heffleys attempt to do minor maintenance and repairs themselves—during which Greg fails at the work in various slapstick scenes. Once the professionals are brought in, the problems keep getting worse: angry neighbors, terrifying problems in walls, and—most serious—civil permitting issues that put the kibosh on what work’s been done. Left with only enough inheritance to patch and repair the exterior of the house—and with the school’s dismal standardized test scores as a final straw—Greg’s mom steers the family toward moving, opening up house-hunting and house-selling storylines (and devastating loyal Rowley, who doesn’t want to lose his best friend). While Greg’s positive about the move, he’s not completely uncaring about Rowley’s action. (And of course, Greg himself is not as unaffected as he wishes.) The gags include effectively placed callbacks to seemingly incidental events (the “stress lizard” brought in on testing day is particularly funny) and a lampoon of after-school-special–style problem books. Just when it seems that the Heffleys really will move, a new sequence of chaotic trouble and property destruction heralds a return to the status quo. Whew.

Readers can still rely on this series to bring laughs. (Graphic/fiction hybrid. 8-12)

Pub Date: Nov. 5, 2019

ISBN: 978-1-4197-3903-3

Page Count: 224

Publisher: Amulet/Abrams

Review Posted Online: Nov. 18, 2019

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