An entertaining suspense tale that plays celebrity mythology against reality in intriguing ways.
Rocker Lou Reed emerges from the doldrums by investigating a killing that may implicate Andy Warhol’s Factory scene in this mordant murder mystery.
Gomez spins his novel around a real-life low point in the rock god’s career after he quit the Velvet Underground in 1970. Reed worked as a typist for $40 a week at his dad Sidney’s accounting firm on Long Island, an unfathomable plunge into banality from the musician’s former place in the glam Manhattan demimonde swirling around his mentor Andy Warhol. In this mystery, Lou discovers that Sidney is paying to store the possessions, including a Warhol painting, of one Samuel Donato, who was shot to death in 1967. Looking into the incident, Lou learns from Warhol and Factory regulars that he knew Donato even though he has no recollection of it, a common occurrence ever since electroshock treatments in college impaired his memory. Lou is stonewalled by Sidney, and everyone else and gets a beating from a man who’s trying to steal the valuable painting. But the rocker unearths evidence that Donato was pitching a murder-for-art’s-sake scheme to Warhol and may have been killed for it by Lou himself. Much of the fun of Gomez’s tale is the spectacle of Lou, patron saint of wildness, deviancy, and heroin, marooned in his childhood bedroom, seething at Sidney’s lectures and festering in suburbia—“Nothing but car dealerships and department stores. Gas stations and muffler shops. Flat mediocrity everywhere he looks”—after his formation in the crucible of the Factory. (“Drag queens, drugs, cameras filming every moment and Andy, always in the background, making things….Everyone was either creative or crazy and, after you’ve been up for three days on speed, you really couldn’t tell the difference.”) The author’s sly, deadpan prose captures both settings and their denizens in wonderfully evocative detail, especially Warhol’s blend of cool and crass. (“Did you see the retrospective in Pasadena?...It was fabulous. A soup can sold the next day for sixty thousand. Can you believe it?”) As Lou unravels the darker threads of his past, the war for his soul takes surprising and resonant twists. The result is a page-turner that will make Reed’s fans think again about his character.
An entertaining suspense tale that plays celebrity mythology against reality in intriguing ways.Pub Date: N/A
ISBN: N/A
Page Count: 165
Publisher: Manuscript
Review Posted Online: Aug. 25, 2022
Review Program: Kirkus Indie
PERSPECTIVES
Agreeably credible lovers and a neat piece of home-restoration compensate some for the hokey hauntings on the bayou. Loyal...
A gumbo seasoned with ghosts, love, and murder on the bayou.
When 30-something Declan Fitzgerald of Boston, a successful lawyer and a member of a large and loving family, breaks off his engagement to very suitable Jessica, he knows he needs to change his life. Lawyering is not fun anymore, so, recalling Manet Hall, an old deserted plantation house he once visited with law school classmate and New Orleans native Remy, he buys the property and moves down south. Declan is also a gifted craftsman, a born decorator, and very, very rich. Soon, he meets beautiful Lena, who’s visiting her grandmother Odette, Declan’s friendly Cajun neighbor. Declan is as certain that Lena is destined to be his wife as he was that Manet Hall would become his home. But, surprise, Lena has a troubled past (like the house) and is determined to resist Declan’s courtship. While he suits Lena and works on the place, Declan experiences troubling dreams. It seems he’s actually reliving the novel’s parallel story, which took place in 1899. In that year, the maid, Abbey Manet (from whom Lena, coincidentally, is descended, and who married wealthy Lucian Manet), was raped and murdered by her brother-in-law Julian as she nursed her baby daughter. Her body was dumped into the bayou by her mother-in-law, who despised her. And grief-stricken husband Lucian, away at the time, being told that Abbey had run off, committed suicide. Now, in an unconvincing twist of gender and reincarnation, it’s Declan who hears a baby crying , experiences childbirth and rape as the reincarnation of Abbey, while Lena is Lucian. The two accept all this with equanimity, and, Manet Hall’s secrets revealed, it becomes the setting for predictable and much foreshadowed resolutions.
Agreeably credible lovers and a neat piece of home-restoration compensate some for the hokey hauntings on the bayou. Loyal fans will enjoy.Pub Date: Oct. 1, 2001
ISBN: 0-399-14824-8
Page Count: 368
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2001
The story is sadly familiar, the treatment claustrophobically intense.
Twenty years after Chloe Davis’ father was convicted of killing half a dozen young women, someone seems to be celebrating the anniversary by extending the list.
No one in little Breaux Bridge, Louisiana, was left untouched by Richard Davis’ confession, least of all his family members. His wife, Mona, tried to kill herself and has been incapacitated ever since. His son, Cooper, became so suspicious that even now it’s hard for him to accept pharmaceutical salesman Daniel Briggs, whose sister, Sophie, also vanished 20 years ago, as Chloe’s fiance. And Chloe’s own nightmares, which lead her to rebuff New York Times reporter Aaron Jansen, who wants to interview her for an anniversary story, are redoubled when her newest psychiatric patient, Lacey Deckler, follows the path of high school student Aubrey Gravino by disappearing and then turning up dead. The good news is that Dick Davis, whom Chloe has had no contact with ever since he was imprisoned after his confession, obviously didn’t commit these new crimes. The bad news is that someone else did, someone who knows a great deal about the earlier cases, someone who could be very close to Chloe indeed. First-timer Willingham laces her first-person narrative with a stifling sense of victimhood that extends even to the survivors and a series of climactic revelations, at least some of which are guaranteed to surprise the most hard-bitten readers.
The story is sadly familiar, the treatment claustrophobically intense.Pub Date: Jan. 11, 2022
ISBN: 978-1-2508-0382-5
Page Count: 368
Publisher: Minotaur
Review Posted Online: Sept. 14, 2021
Kirkus Reviews Issue: Oct. 1, 2021
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